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" You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment. "
Todd Haynes
Moment
Rock
Musicians
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" 'Carol' takes place in the really early '50s, before Eisenhower has taken office. It's based on a Patricia Highsmith novel, her second and most autobiographical book and the only one outside of the crime milieu. "
Todd Haynes
Place
Book
Crime
" I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that. "
Todd Haynes
People
Creative
Good
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" In a way, I think Roxy Music is high camp, in a brilliant way. "
Todd Haynes
Camp
High
Brilliant
" My parents are very supportive and proud. "
Todd Haynes
Proud
Supportive
Very
" There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.' "
Todd Haynes
Place
Think
People
" Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don't necessarily trust every element. "
Todd Haynes
Saying
Ideas
People
" A key part of the process for me is having screenings: not official test screenings, just gatherings of people, some I know and some I don't. We ask what is working and what isn't. So it's not as if I'm shutting out input. "
Todd Haynes
Key
Process
Test
" I love stories of love cropping up unexpectedly in life almost as a problem, as something you don't ask for. Something that messes everything up and makes you rethink everything. "
Todd Haynes
Everything
Life
Love
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other
" When you premiere somewhere like Cannes, it's huge. It's nerve-wracking. "
Todd Haynes
Huge
Somewhere
Cannes
" I think it remains a film-by-film process, and since I am relatively selective and slow, it can take a while. "
Todd Haynes
Process
Since
Slow
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before. "
Todd Haynes
You
Feel
Kind
" I think camp is a really fascinating thing, and it's hard to define and hard to apply consciously. It's almost something you take from material that's already existed in the world, a reading of the world. But I think it speaks of a long tradition of gay reading of the world, before gays were allowed to be visible. "
Todd Haynes
You
Think
Gay
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" I love how 'melodrama' is a denigrated term - a lower-class citizen to other genres. And yet that's what life is, man. "
Todd Haynes
Man
How
Citizen
" You have to be somewhat ruthless with your work. You have to let things go. Even your favourite little part might not work in the end. "
Todd Haynes
Work
In The End
Ruthless
" All actors are protecting something, in their own way, that happens in front of a camera. "
Todd Haynes
Camera
Happens
Own
" You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually. "
Todd Haynes
Movie
Work
Director
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
Todd Haynes
People
Time
Age
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be. "
Todd Haynes
Time
Never
Poison
" I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. "
Todd Haynes
Together
Alive
World
" The bond company comes in if you exceed your costs; they're the insurers of the film. In the worst-case scenario, they take over the production. "
Todd Haynes
You
Over
Your
" I noticed that there were all these kinds of practices in a working set that had to be un-practiced on 'Far from Heaven,' which was so interesting. "
Todd Haynes
Working
Far
Heaven
" I had really loving parents and a happy childhood. "
Todd Haynes
Parents
Loving
Happy