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" It's very important for me to have dialogues across racial lines. "
Lynn Nottage
Racial
Me
Very
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" I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze. "
Lynn Nottage
Life
Sitting
Mother
" I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative. "
Lynn Nottage
Which
Way
Poverty
" American audiences very rarely deal with material outside their borders. "
Lynn Nottage
Deal
American
Borders
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" I would like there to be gender equity. I would like the Broadway season to reflect sort of the demographic of the country. "
Lynn Nottage
Equity
Gender
Reflect
" There's never any ebb in human misery. "
Lynn Nottage
Human
Misery
Any
" I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless. "
Lynn Nottage
People
Talking
Us
" When you begin a play, you're going to have to spend a lot of time with those characters, so those characters are going to have to be rich enough that you want to take a very long journey with them. That's how I begin thinking about what I want to write about and who I want to write about. "
Lynn Nottage
You
Thinking
Rich
" Ultimately, we're incredibly resilient creatures. People really do get on with the business of living. "
Lynn Nottage
Living
Business
Creatures
" By the time I reached 50, I'd accumulated many unresolved fears and desires. "
Lynn Nottage
Many
Time
Unresolved
" People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process. "
Lynn Nottage
End
Think
You
" I teach at Columbia, and I'm always looking for books I can lose myself in during the 45 minutes I'm on the train. "
Lynn Nottage
Myself
Train
I Can
" It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway. "
Lynn Nottage
Only
Work
Struggle
" When you're fighting for an increasingly smaller portion of the pie, you turn against each other; you create reasons to hate each other. "
Lynn Nottage
You
Turn
Create
" In senior year at college, Paula Vogel was my playwriting teacher; she is the first person to introduce me to the notion that a woman could actually forge a career in the theatre. Up until then, the possibility seemed remote and inaccessible, as I had very few role models who directly touched my life. "
Lynn Nottage
Life
Teacher
Theatre
" I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another. "
Lynn Nottage
I Am
Think
Looking
" I need a release from whatever I'm writing. "
Lynn Nottage
Need
Release
Whatever
" What I often do when I'm writing, if I can't find that story, I go out and I hunt for it. "
Lynn Nottage
Find
Go
Hunt
" I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons. "
Lynn Nottage
Moment
Broadway
Sweat
" A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.' "
Lynn Nottage
Small
Revolution
Me
" The people sometimes who are closest to us are the ones who bear the brunt of our frustration. "
Lynn Nottage
Bear
Us
Sometimes
" I am a storyteller by trade. "
Lynn Nottage
Am
Storyteller
Trade
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Lynn Nottage
Now
Protect
Used
" Replace judgment with curiosity. "
Lynn Nottage
Judgment
Curiosity
Replace
" The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller. "
Lynn Nottage
Love
Political
Person
" Plays are getting smaller and smaller, not because playwrights minds are shrinking but because of the economics. "
Lynn Nottage
Getting
Minds
Economics
" I wonder: Would there be a black president if people hadn't already begun imagining, through film and television, that a black man is president? It's self-actualization. "
Lynn Nottage
Wonder
Man
Television
" We live in a global society, and I don't think we can talk about, quote unquote, 'American themes' anymore. "
Lynn Nottage
American
Live
Society
" I think sometimes you need distance to reflect. "
Lynn Nottage
Sometimes
Distance
You
" I am interested in people living in the margins of society, and I do have a mission to tell the stories of women of colour in particular. I feel we've been present throughout history, but our voices have been neglected. "
Lynn Nottage
People
Women
I Am