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" Silence is complicity. I believe that. "
Lynn Nottage
Believe
Silence
I Believe
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" The act of saying what you do helps shape you as an artist. "
Lynn Nottage
Saying
Act
Helps
" I need a release from whatever I'm writing. "
Lynn Nottage
Need
Release
Whatever
" Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs. "
Lynn Nottage
Now
Protect
Used
" I love Twitter. "
Lynn Nottage
I Love
Love
Twitter
" Each play I write has its own unique origin story. "
Lynn Nottage
Unique
Own
Play
" Broadway is a closed ecosystem. "
Lynn Nottage
Ecosystem
Broadway
Closed
" It's very easy, when we're reading those articles on the 20th page of 'The New York Times,' to distance ourselves and say, 'It's someone else.' "
Lynn Nottage
New York
Reading
Distance
" When I sat in rooms with middle-aged white men, I heard them speaking like young black men in America. They had been solidly middle class for the majority of their working careers, but now they were feeling angry, disaffected, and in some cases, they actually had tears in their eyes. "
Lynn Nottage
Men
America
Angry
" My hobby is raising my children. "
Lynn Nottage
Hobby
Raising
Children
" There's never any ebb in human misery. "
Lynn Nottage
Human
Misery
Any
" The presence of a bed changes the way people interact. "
Lynn Nottage
Bed
Changes
People
" I see procrastination and research as part of my artistic process. "
Lynn Nottage
Process
Procrastination
See
" The stage is the last bastion of segregation. "
Lynn Nottage
Segregation
Last
Stage
" My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here. "
Lynn Nottage
Cleaning
Father
People
" People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process. "
Lynn Nottage
End
Think
You
" I think sometimes you need distance to reflect. "
Lynn Nottage
Sometimes
Distance
You
" There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time. "
Lynn Nottage
Time
Life
Way
" The great thing about 'Vera Stark' is that my research was watching movies, screwball comedies, so I could literally sit back and relax. "
Lynn Nottage
Relax
Movies
Great
" When you're fighting for an increasingly smaller portion of the pie, you turn against each other; you create reasons to hate each other. "
Lynn Nottage
You
Turn
Create
" In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way. "
Lynn Nottage
School
World
Relationship
" All of my plays are about people who have been marginalized... erased from the public record. "
Lynn Nottage
People
Public
Who
" Like Alice Walker and Toni Morrison, I try to balance reality with how we'd like the world to be. "
Lynn Nottage
Balance
How
World
" American audiences very rarely deal with material outside their borders. "
Lynn Nottage
Deal
American
Borders
" What I often do when I'm writing, if I can't find that story, I go out and I hunt for it. "
Lynn Nottage
Find
Go
Hunt
" My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters. "
Lynn Nottage
Nothing
Decisions
People
" I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze. "
Lynn Nottage
Life
Sitting
Mother
" I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative. "
Lynn Nottage
Which
Way
Poverty
" Who wants to see the same play again? I certainly don't want to write the same play again and again. "
Lynn Nottage
Play
Same
Again
" A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.' "
Lynn Nottage
Small
Revolution
Me
" I remain committed to telling the stories of women of the African diaspora, particularly those stories that don't often find their way into the mainstream media. "
Lynn Nottage
Stories
Women
Those