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" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
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" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.' "
Todd Haynes
Place
Think
People
" I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Filmmaking
Time
My Own
" I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that. "
Todd Haynes
People
Creative
Good
" A key part of the process for me is having screenings: not official test screenings, just gatherings of people, some I know and some I don't. We ask what is working and what isn't. So it's not as if I'm shutting out input. "
Todd Haynes
Key
Process
Test
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself
" 'Carol' takes place in the really early '50s, before Eisenhower has taken office. It's based on a Patricia Highsmith novel, her second and most autobiographical book and the only one outside of the crime milieu. "
Todd Haynes
Place
Book
Crime
" Serious films for grown-ups - 'Michael Clayton,' 'In the Valley of Elah,' 'A Mighty Heart' - these are big Hollywood films, but they have substance and craft and really beautiful performances. "
Todd Haynes
Beautiful
Serious
Hollywood
" I have a hard time making movies that affirm life and say life is a good and happy place. That's not true about the world. "
Todd Haynes
Good
Happy
World
" I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Little
First
Kid
" Some directors do recut their films, but I don't if I disagree, and what you suffer is a less passionate marketing campaign, less investment in the film at the other end, which is... fine. I get it. "
Todd Haynes
Investment
Passionate
You
" I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film. "
Todd Haynes
Moment
Up
Off
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" I'm a lover of cinema, and I don't want that to completely expire. "
Todd Haynes
Lover
Cinema
Expire
" The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring dictate the visual experience and the way that we approach it specifically on film. "
Todd Haynes
Music
Exploring
Experience
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" I felt 'Brokeback Mountain' re-imbued the love story with an authentic and unquestionable series of obstacles that these men faced. I think that's certainly true for 'Carol' as well. "
Todd Haynes
Think
Mountain
Love
" The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party. "
Todd Haynes
Best
Love
Party
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably. "
Todd Haynes
Market
You
Work
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually. "
Todd Haynes
Movie
Work
Director
" After 'Superstar,' I was encouraged. I felt audiences wanted to be challenged. "
Todd Haynes
Felt
Challenged
Wanted
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language. "
Todd Haynes
Language
Find
You