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" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
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" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself
" The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people. "
Todd Haynes
Time
People
New
" I was lucky enough to be exposed to film, art, literature, culture, and then told, 'Yes, you can do that, too.' It's not something that everybody's circumstances allow for. "
Todd Haynes
Art
Enough
Literature
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect
" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
" I don't think there's any more synesthetic medium than film. "
Todd Haynes
More
Think
Than
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended up offering me other possibilities. "
Todd Haynes
Up
College
Me
" My parents are very supportive and proud. "
Todd Haynes
Proud
Supportive
Very
" Some directors do recut their films, but I don't if I disagree, and what you suffer is a less passionate marketing campaign, less investment in the film at the other end, which is... fine. I get it. "
Todd Haynes
Investment
Passionate
You
" I love visual mediums, and I've always painted and drawn. "
Todd Haynes
Love
Always
I Love
" I love how 'melodrama' is a denigrated term - a lower-class citizen to other genres. And yet that's what life is, man. "
Todd Haynes
Man
How
Citizen
" I figured I would be teaching my whole life and making experimental films on the side. "
Todd Haynes
Whole
Life
Making
" The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party. "
Todd Haynes
Best
Love
Party
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
Todd Haynes
People
Time
Age
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" The bond company comes in if you exceed your costs; they're the insurers of the film. In the worst-case scenario, they take over the production. "
Todd Haynes
You
Over
Your
" A lot of actors just don't seem grown up no matter how old they get... just juveniles with grey hair. "
Todd Haynes
Just
Matter
Old
" Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably. "
Todd Haynes
Market
You
Work
" At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost. "
Todd Haynes
Care
Women
You
" A key part of the process for me is having screenings: not official test screenings, just gatherings of people, some I know and some I don't. We ask what is working and what isn't. So it's not as if I'm shutting out input. "
Todd Haynes
Key
Process
Test
" My problem on 'Safe' was that when I liked something, I would giggle. "
Todd Haynes
Something
Problem
Safe
" With 'Carol,' I was just really looking at and thinking about the love story as a genre, not the domestic melodrama. "
Todd Haynes
Thinking
Story
Love
" There's no better place to do a longform project than HBO. I loved the creative teams I got a chance to work with. "
Todd Haynes
Work
Chance
Creative
" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
" In high school - that's when I first fell in love with his music and his voice. 'Blonde on Blonde' above everything. I vaguely remember 'Desire' coming out. I definitely remember 'Street Legal' and 'Slow Train Coming.' The first time I saw Dylan was on that tour: '79 in L.A. "
Todd Haynes
Legal
Time
School
" I'm a lover of cinema, and I don't want that to completely expire. "
Todd Haynes
Lover
Cinema
Expire
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other