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" I don't think there's any more synesthetic medium than film. "
Todd Haynes
More
Think
Than
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" Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably. "
Todd Haynes
Market
You
Work
" I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film. "
Todd Haynes
Moment
Up
Off
" I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language. "
Todd Haynes
Language
Find
You
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before. "
Todd Haynes
You
Feel
Kind
" I do know my own films don't necessarily work within that high-pressure reductive moment of the opening weekend - or all the ways that many people assess the value of movies. "
Todd Haynes
Weekend
People
Moment
" The highest-caliber dramatic work produced for TV - not just in cable but something like 'The Good Wife' at network - is consistently great. "
Todd Haynes
Work
Good
Good Wife
" I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. "
Todd Haynes
Together
Alive
World
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" My problem on 'Safe' was that when I liked something, I would giggle. "
Todd Haynes
Something
Problem
Safe
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually. "
Todd Haynes
Movie
Work
Director
" I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Little
First
Kid
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" I think camp is a really fascinating thing, and it's hard to define and hard to apply consciously. It's almost something you take from material that's already existed in the world, a reading of the world. But I think it speaks of a long tradition of gay reading of the world, before gays were allowed to be visible. "
Todd Haynes
You
Think
Gay
" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
" I'll never forget watching 'I'm Not There' with Cate Blanchett, because it was the first time she saw the finished film and saw her performance in it. I was sitting next to her experiencing it vicariously through her fresh eyes and hoping she liked it. "
Todd Haynes
Time
Sitting
She
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" I came out of a sort of experimental background, and I didn't ever really expect - or even desire - a career as a feature filmmaker. "
Todd Haynes
Out
Expect
Desire
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" Every actor comes with their own experience, method, methodology. "
Todd Haynes
Every
Own
Experience
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other
" Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. "
Todd Haynes
Two
Life
Love
" It's funny: I don't feel like I have any particular privileged feeling for the Fifties. "
Todd Haynes
Feeling
Any
Like