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" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
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" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party. "
Todd Haynes
Best
Love
Party
" I think camp is a really fascinating thing, and it's hard to define and hard to apply consciously. It's almost something you take from material that's already existed in the world, a reading of the world. But I think it speaks of a long tradition of gay reading of the world, before gays were allowed to be visible. "
Todd Haynes
You
Think
Gay
" Pop music can get inside us and enter our memory bubbles. It provides those true Proustian moments, unlocking sensations, unlocking our imaginations. Music inspired me as a filmmaker. "
Todd Haynes
Music
True
Me
" By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be. "
Todd Haynes
Time
Never
Poison
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" I love serial drama. "
Todd Haynes
Drama
Serial
Love
" I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't or are unconscious about, or have certain liberties that are invisible to them. "
Todd Haynes
Relationship
Power
Society
" I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Filmmaking
Time
My Own
" When 'Safe' came out, it was treated respectfully but kind of forgotten. Then, by the end of the '90s, it somehow made it onto all these best-of-the-decade lists. "
Todd Haynes
Out
Safe
End
" The film division at Amazon is made up of true cineastes who love movies and really want to try and provide opportunity for independent film visions to find their footing in a vastly shifting market. They love cinema. "
Todd Haynes
True
Cinema
Movies
" They always find new ways of talking about my movies. "
Todd Haynes
Find
Always
Ways
" I saw experimental film-makers teaching in college. They did what they wanted and didn't worry about the market, but the circumstances ended up offering me other possibilities. "
Todd Haynes
Up
College
Me
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
" I remember going to see '2001' with my dad. "
Todd Haynes
Dad
See
Remember
" I felt 'Brokeback Mountain' re-imbued the love story with an authentic and unquestionable series of obstacles that these men faced. I think that's certainly true for 'Carol' as well. "
Todd Haynes
Think
Mountain
Love
" I do know my own films don't necessarily work within that high-pressure reductive moment of the opening weekend - or all the ways that many people assess the value of movies. "
Todd Haynes
Weekend
People
Moment
" I live in Portland. I'm a man of the world, and I live in Portland. "
Todd Haynes
World
Live
Portland
" I love visual mediums, and I've always painted and drawn. "
Todd Haynes
Love
Always
I Love
" I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film. "
Todd Haynes
Moment
Up
Off
" Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous. "
Todd Haynes
Fun
Like
Music