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" I love visual mediums, and I've always painted and drawn. "
Todd Haynes
Love
Always
I Love
Related Quotes:
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don't necessarily trust every element. "
Todd Haynes
Saying
Ideas
People
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" I see things about the present more clearly when I'm looking through the frame of the past: I think it's very hard to assess the present moment that we are in. "
Todd Haynes
Moment
Looking
Think
" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language. "
Todd Haynes
Language
Find
You
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" When 'Safe' came out, it was treated respectfully but kind of forgotten. Then, by the end of the '90s, it somehow made it onto all these best-of-the-decade lists. "
Todd Haynes
Out
Safe
End
" I love stories of love cropping up unexpectedly in life almost as a problem, as something you don't ask for. Something that messes everything up and makes you rethink everything. "
Todd Haynes
Everything
Life
Love
" I was lucky enough to be exposed to film, art, literature, culture, and then told, 'Yes, you can do that, too.' It's not something that everybody's circumstances allow for. "
Todd Haynes
Art
Enough
Literature
" I like to rehearse before blocking. "
Todd Haynes
Before
Rehearse
Like
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" 'Carol' takes place at a time the country was crawling out of the shadows of the war years, feeling the new vulnerabilities of the Cold War and conflicts within the union. "
Todd Haynes
New
Place
Feeling
" I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime. "
Todd Haynes
Crime
Like
Classic
" There's no better place to do a longform project than HBO. I loved the creative teams I got a chance to work with. "
Todd Haynes
Work
Chance
Creative
" I've always been interested in visual art and used to be much more into theater when I was younger, or more knowledgeable about what's going on. And literature has played a big part in my life. "
Todd Haynes
Life
Art
Always
" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
" I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film. "
Todd Haynes
Moment
Up
Off
" I'll never forget watching 'I'm Not There' with Cate Blanchett, because it was the first time she saw the finished film and saw her performance in it. I was sitting next to her experiencing it vicariously through her fresh eyes and hoping she liked it. "
Todd Haynes
Time
Sitting
She
" We yearn for the desire to triumph, and it almost never does in the greatest love stories because we're left yearning for it more in the end, and we wish the world were different as a result. I do love that. "
Todd Haynes
World
End
Love
" The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people. "
Todd Haynes
Time
People
New
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival. "
Todd Haynes
People
Some People
Got
" When you're shooting concert scenes in films, we try to bring in, where appropriate, as much of a sense of live performance as possible. "
Todd Haynes
Performance
You
Live
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" Films like 'Velvet Goldmine' are an accumulation of research and references. I create an almost random resource of connections and am constantly distilling that into narrative specifics. "
Todd Haynes
Connections
Create
Random
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like