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" I noticed that there were all these kinds of practices in a working set that had to be un-practiced on 'Far from Heaven,' which was so interesting. "
Todd Haynes
Working
Far
Heaven
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" After 'Superstar,' I was encouraged. I felt audiences wanted to be challenged. "
Todd Haynes
Felt
Challenged
Wanted
" You have to be somewhat ruthless with your work. You have to let things go. Even your favourite little part might not work in the end. "
Todd Haynes
Work
In The End
Ruthless
" I don't think there's any more synesthetic medium than film. "
Todd Haynes
More
Think
Than
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers. "
Todd Haynes
People
Time
Age
" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" Pop music can get inside us and enter our memory bubbles. It provides those true Proustian moments, unlocking sensations, unlocking our imaginations. Music inspired me as a filmmaker. "
Todd Haynes
Music
True
Me
" When you premiere somewhere like Cannes, it's huge. It's nerve-wracking. "
Todd Haynes
Huge
Somewhere
Cannes
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually. "
Todd Haynes
Movie
Work
Director
" I'm used to always having struggles getting finances together and keeping precarious budgets alive in the independent film world. "
Todd Haynes
Together
Alive
World
" 'Mildred' was the first film I shot on Super 16 with Ed Lachman, and we decided to continue doing so for 'Carol.' "
Todd Haynes
Shot
Doing
Continue
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself
" I have always had an interest in performers who play against the most obvious of expectations and are able to find something secret, something withheld, and some level of restraint. "
Todd Haynes
Play
Secret
Always
" I was lucky enough to be exposed to film, art, literature, culture, and then told, 'Yes, you can do that, too.' It's not something that everybody's circumstances allow for. "
Todd Haynes
Art
Enough
Literature
" There's no better place to do a longform project than HBO. I loved the creative teams I got a chance to work with. "
Todd Haynes
Work
Chance
Creative
" Cannes is a lot of work, since it's a market festival and a serious festival, and they really work you, understandably. "
Todd Haynes
Market
You
Work
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost. "
Todd Haynes
Care
Women
You
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" I didn't quite realise until we started to put together our first cut of 'Wonderstruck' how much time is spent with no words spoken whatsoever. "
Todd Haynes
Words
First
Started
" I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't or are unconscious about, or have certain liberties that are invisible to them. "
Todd Haynes
Relationship
Power
Society
" I figured I would be teaching my whole life and making experimental films on the side. "
Todd Haynes
Whole
Life
Making
" I remember going to see '2001' with my dad. "
Todd Haynes
Dad
See
Remember
" The best love stories on film are rooted in the point of view of the more woundable, vulnerable party, the more amorous party. "
Todd Haynes
Best
Love
Party
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments