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" After 'Superstar,' I was encouraged. I felt audiences wanted to be challenged. "
Todd Haynes
Felt
Challenged
Wanted
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" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
" When you're shooting concert scenes in films, we try to bring in, where appropriate, as much of a sense of live performance as possible. "
Todd Haynes
Performance
You
Live
" I've always been interested in visual art and used to be much more into theater when I was younger, or more knowledgeable about what's going on. And literature has played a big part in my life. "
Todd Haynes
Life
Art
Always
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much. "
Todd Haynes
Want
Everything
Others
" I've been really lucky with critical reaction, overall, even if my films don't often resemble each other. "
Todd Haynes
Each
Lucky
Other
" They always find new ways of talking about my movies. "
Todd Haynes
Find
Always
Ways
" Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively. "
Todd Haynes
You
People
Forward
" There's this homogenization, this big sucking motion in dominant society, to absorb all the disparate elements that define the margin or define the culture or define those who are thrust outside the status quo. "
Todd Haynes
Society
Culture
Motion
" I love stories of love cropping up unexpectedly in life almost as a problem, as something you don't ask for. Something that messes everything up and makes you rethink everything. "
Todd Haynes
Everything
Life
Love
" It's funny: I don't feel like I have any particular privileged feeling for the Fifties. "
Todd Haynes
Feeling
Any
Like
" I came out of a sort of experimental background, and I didn't ever really expect - or even desire - a career as a feature filmmaker. "
Todd Haynes
Out
Expect
Desire
" With 'Carol,' I was just really looking at and thinking about the love story as a genre, not the domestic melodrama. "
Todd Haynes
Thinking
Story
Love
" You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment. "
Todd Haynes
Moment
Rock
Musicians
" Sirkian films really aren't - at least the way I see them, they're not about identification. They don't have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there. "
Todd Haynes
See
Point Of View
Love
" Melodrama is sometimes broadly applied and sometimes derogatorily applied. "
Todd Haynes
Applied
Sometimes
Melodrama
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" All actors are protecting something, in their own way, that happens in front of a camera. "
Todd Haynes
Camera
Happens
Own
" There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.' "
Todd Haynes
Place
Think
People
" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
" I think all my films can be enjoyed. In fact, they've often surprised me with how they're received. "
Todd Haynes
I Think
Think
Surprised
" I noticed that there were all these kinds of practices in a working set that had to be un-practiced on 'Far from Heaven,' which was so interesting. "
Todd Haynes
Working
Far
Heaven
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" I worked with Jim James on my film 'I'm Not There' - he sang 'Goin' to Acapulco' with Calexico backing him up. We just hit it off, and it's such a beautiful moment in that film. "
Todd Haynes
Moment
Up
Off
" Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.' "
Todd Haynes
Wanted
Genres
Like
" I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market. "
Todd Haynes
Know
Think
Nor
" I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that. "
Todd Haynes
People
Creative
Good
" Aspects of guilt or handwringing that one might expect in a film set in the '50s about women who discover their love for other women - a lot of these things are not in 'Carol.' "
Todd Haynes
Guilt
Film
Expect