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" Looking at photographs of New York in 1952, you find a powerfully pre-Eisenhower era - sagging, tired, distressed - and the palette is slightly dissonant. "
Todd Haynes
Tired
Find
Looking
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" I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that. "
Todd Haynes
People
Creative
Good
" The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring dictate the visual experience and the way that we approach it specifically on film. "
Todd Haynes
Music
Exploring
Experience
" I came out of a sort of experimental background, and I didn't ever really expect - or even desire - a career as a feature filmmaker. "
Todd Haynes
Out
Expect
Desire
" I'm drawn to female characters; not all of them are strong characters. "
Todd Haynes
Strong
Female Characters
Characters
" I value what I learned from being cast in the margins and what that felt like. "
Todd Haynes
Learned
Cast
Being
" You'll see in 'Carol' a lot of shots shot through windows, glass and awnings, with interruptions between where we are and where our object is. To me, I hope that that conjures the whole act of looking as a predicament, as something that is never easy and never completely attainable. "
Todd Haynes
Easy
Hope
Looking
" It took an entire generation of critical thinking for Douglas Sirk's films to be really appreciated. "
Todd Haynes
Thinking
Appreciated
Generation
" I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. "
Todd Haynes
Loved
Time
Always
" Without sounding sexist, you have to cast a real man opposite Cate Blanchett. You need a guy who's grown up. "
Todd Haynes
Real Man
Real
Need
" What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing. "
Todd Haynes
Interesting
Breaking
Down
" With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival. "
Todd Haynes
People
Some People
Got
" The first time I saw Douglas Sirk was in college. I didn't encounter him on the late, late, late show like a lot of people; people a little older than me, maybe. But I saw him already as someone to take special note of in an academic context in college. I was immediately in a state of visual splendor. "
Todd Haynes
People
Late
Time
" 'Carol' takes place at a time the country was crawling out of the shadows of the war years, feeling the new vulnerabilities of the Cold War and conflicts within the union. "
Todd Haynes
New
Place
Feeling
" Some directors do recut their films, but I don't if I disagree, and what you suffer is a less passionate marketing campaign, less investment in the film at the other end, which is... fine. I get it. "
Todd Haynes
Investment
Passionate
You
" Every actor comes with their own experience, method, methodology. "
Todd Haynes
Every
Own
Experience
" I have a hard time making movies that affirm life and say life is a good and happy place. That's not true about the world. "
Todd Haynes
Good
Happy
World
" I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent. "
Todd Haynes
Think
Gay
Women
" I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.' "
Todd Haynes
Always
Me
Moments
" Serious films for grown-ups - 'Michael Clayton,' 'In the Valley of Elah,' 'A Mighty Heart' - these are big Hollywood films, but they have substance and craft and really beautiful performances. "
Todd Haynes
Beautiful
Serious
Hollywood
" Each production is its own experience. "
Todd Haynes
Experience
Production
Each
" It's absurd: half the movie audience are women, but Hollywood bosses are still aiming for men who are 20. "
Todd Haynes
Audience
Half
Hollywood
" A lot of actors just don't seem grown up no matter how old they get... just juveniles with grey hair. "
Todd Haynes
Just
Matter
Old
" I noticed that there were all these kinds of practices in a working set that had to be un-practiced on 'Far from Heaven,' which was so interesting. "
Todd Haynes
Working
Far
Heaven
" I don't want to make people feel better. "
Todd Haynes
Feel
Want
People
" I made little Super 8 extravaganzas when I was a kid, the first being my own version of 'Romeo and Juliet,' and where I played all the parts except for Juliet. "
Todd Haynes
Little
First
Kid
" I'm pretty single-minded, unlike a lot of directors who miraculously seem to be holding six projects in their hand at a given time and juggling them accordingly. "
Todd Haynes
Time
Seem
Who
" My films have often looked at the whole dilemma of identity as a straitjacket for people, for societies, for cultures, for historical moments. "
Todd Haynes
Identity
Cultures
Moments
" By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be. "
Todd Haynes
Time
Never
Poison
" I think when I was about 6 or 7, I would have said I wanted to be an actor and an artist. "
Todd Haynes
Think
Artist
I Think
" I always learn a lot when I do so. You know, when you step out of your comfort zone and even your cynical zone, and open yourself up to what other people might experience and why they do so. "
Todd Haynes
Experience
Comfort Zone
Yourself