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" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
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" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
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" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
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" The evolution of art is not only driven by artists, but by a conversation between the artists and the audience. "
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" It's kind of cool that I know of all this great science fiction being written in China, and most of it is not really well-known in the West. "
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" Whenever you talk about Chinese dragons, emperors, palaces, concubines - they conjure up a whole colonial argle-bargle that has nothing to do with historical reality. "
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" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
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" The idea that somehow the way forward is to abandon the past, to me, is preposterous and both undesirable and unrealistic. "
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" The problems faced by writers of color are analogous to the problems face by women writers. "
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" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
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" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
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" My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career. "
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" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
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Story
Person
" The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice. "
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Grace
World
Power
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
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Understanding
Grateful
I Am
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
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Utopia
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" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
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Think
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" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
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" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Ken Liu
Done
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Style
" I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means. "
Ken Liu
Time
Same
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" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
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" I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style. "
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Age
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" What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed. "
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Me
I Can
Way
" Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added. "
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Language
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" Translation is an act of recreation. "
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Translation
Act
Recreation
" I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction. "
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Decisions
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" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
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" Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form. "
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Text
Beyond
Possibilities
" I write speculative fiction, and in my view, speculative fiction is really just a very intense version of the work of literature in general. "
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Write
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" I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from. "
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Think
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" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
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