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All Quotes by author - Ken Liu
" Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result. "
World
Stories
Almost
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
American
Tradition
Push
" As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction. "
Live
Key
Science
" Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code. "
Love
Science
Short
" Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them. "
Ideas
Interesting
Time
" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
Over
Random
Which
" For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration. "
Politics
Problems
Kings
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
I Am
Science
Know
" I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style. "
Age
Writing
Style
" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Done
Voice
Style
" I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy. "
Kings
Grace
Challenge
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Different
Write
Care
" If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. "
Work
Great
End
" I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface. "
Enjoy
Good
Look
" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
Think
Work
Thinking
" I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules. "
Persuasion
Trying
Rules
" I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means. "
Time
Same
Heritage
" I'm not sure I necessarily have explicit messages. "
Sure
Necessarily
Messages
" I'm often asked how I get ideas for my stories. The answer is there's no single way; every story is different. "
Different
Ideas
Way
" I'm very interested in foundational narratives. "
Interested
Very
Narratives
" In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. "
Language
Technology
Vision
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Utopia
Revolution
Winners
" In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy. "
Me
Own
Colleagues
" I still think in a parallel universe, I became a mathematician. "
Parallel
Think
Universe
" I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity. "
Try
Think
Nature
" I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from. "
Think
Culture
Writing
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Others
Think
Real
" I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction. "
Decisions
Me
Patience
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
You
Trying
History
" It's incredible to me that any two individual minds, trapped in their skulls and bodies and histories and unique experiences, are able to reach across the void between them and touch at all. "
Touch
Reach
Minds
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