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" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
Related Quotes:
" The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice. "
Ken Liu
Grace
World
Power
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
Ken Liu
I Am
Science
Know
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity. "
Ken Liu
Try
Think
Nature
" I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means. "
Ken Liu
Time
Same
Heritage
" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
Ken Liu
Acceptance
More
Technology
" When I act as a translator, I am really doing a performance for my fellow Anglophone readers in the West. "
Ken Liu
West
Doing
I Am
" I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique. "
Ken Liu
Know
Best
Long
" Almost all of my stories can be understood to be elaborations on our drive to remake the world and our adjustments to the result. "
Ken Liu
World
Stories
Almost
" Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form. "
Ken Liu
Text
Beyond
Possibilities
" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
Ken Liu
How
Nothing
Literature
" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
Ken Liu
Technology
Language
Different
" The way a story makes an argument is quite different from the way a persuasive essay does it. Emotional truth and the logic of metaphors dominate. "
Ken Liu
Argument
Logic
Story
" If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. "
Ken Liu
Work
Great
End
" There is no way for me to replicate for you what a sentence reads like for a Chinese reader. "
Ken Liu
Me
Like
Chinese
" As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction. "
Ken Liu
Live
Key
Science
" My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career. "
Ken Liu
Pretty
Project
Side
" Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added. "
Ken Liu
Language
Way
Us
" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
" My fiction occupies, actually, the very heart of American culture: this eternal question and struggle of what it means to be an American. "
Ken Liu
Very
Struggle
Heart
" There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story. "
Ken Liu
Story
Good
Way
" 'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty. "
Ken Liu
Grace
Bones
Traditions
" Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out. "
Ken Liu
Fun
Out
Work
" Translation is an act of recreation. "
Ken Liu
Translation
Act
Recreation
" I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface. "
Ken Liu
Enjoy
Good
Look
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History
" I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange. "
Ken Liu
Strange
Fantasy
Kind
" Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species. "
Ken Liu
Nature
Writing
Truth
" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
Ken Liu
World
American
Think