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" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
Ken Liu
Over
Random
Which
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" Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them. "
Ken Liu
Ideas
Interesting
Time
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Ken Liu
Different
Write
Care
" In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. "
Ken Liu
Language
Technology
Vision
" Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species. "
Ken Liu
Nature
Writing
Truth
" It's kind of cool that I know of all this great science fiction being written in China, and most of it is not really well-known in the West. "
Ken Liu
Cool
Kind
Know
" I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique. "
Ken Liu
Know
Best
Long
" There is no way for me to replicate for you what a sentence reads like for a Chinese reader. "
Ken Liu
Me
Like
Chinese
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History
" Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out. "
Ken Liu
Fun
Out
Work
" There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China. "
Ken Liu
Imagination
History
Fight
" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
Ken Liu
How
Nothing
Literature
" Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form. "
Ken Liu
Text
Beyond
Possibilities
" My fiction occupies, actually, the very heart of American culture: this eternal question and struggle of what it means to be an American. "
Ken Liu
Very
Struggle
Heart
" Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves. "
Ken Liu
Rich
History
Facts
" 'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty. "
Ken Liu
Grace
Bones
Traditions
" I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity. "
Ken Liu
Try
Think
Nature
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
" I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from. "
Ken Liu
Think
Culture
Writing
" Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own. "
Ken Liu
Rejection
Sun
Short
" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
Ken Liu
Technology
Language
Different
" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
Ken Liu
Way
Story
Stereotypes
" What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed. "
Ken Liu
Me
I Can
Way
" I'm often asked how I get ideas for my stories. The answer is there's no single way; every story is different. "
Ken Liu
Different
Ideas
Way
" For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration. "
Ken Liu
Politics
Problems
Kings
" My translation work has been pretty separate from my fiction, as it was basically an accidental side project that turned into a separate and parallel career. "
Ken Liu
Pretty
Project
Side
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition