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" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
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" I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage and cultural background, so I'm comfortable with these things, but at the same time, I have to navigate the Anglo-American tradition, which has a self-centred view of what Asia and what being Chinese means. "
Ken Liu
Time
Same
Heritage
" My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is. "
Ken Liu
Try
Voice
You
" I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity. "
Ken Liu
Try
Think
Nature
" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
Ken Liu
Technology
Language
Different
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
Ken Liu
I Am
Science
Know
" Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code. "
Ken Liu
Love
Science
Short
" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Ken Liu
Done
Voice
Style
" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
Ken Liu
Everyone
Story
Person
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" I write speculative fiction, and in my view, speculative fiction is really just a very intense version of the work of literature in general. "
Ken Liu
Write
Literature
View
" The way a story makes an argument is quite different from the way a persuasive essay does it. Emotional truth and the logic of metaphors dominate. "
Ken Liu
Argument
Logic
Story
" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
Ken Liu
Over
Random
Which
" I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy. "
Ken Liu
Kings
Grace
Challenge
" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
Ken Liu
Acceptance
More
Technology
" If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. "
Ken Liu
Work
Great
End
" Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added. "
Ken Liu
Language
Way
Us
" I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting. "
Ken Liu
Think
You
Interesting
" 'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty. "
Ken Liu
Grace
Bones
Traditions
" I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique. "
Ken Liu
Know
Best
Long
" I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style. "
Ken Liu
Age
Writing
Style
" I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange. "
Ken Liu
Strange
Fantasy
Kind
" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
Ken Liu
Way
Story
Stereotypes
" For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration. "
Ken Liu
Politics
Problems
Kings
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction. "
Ken Liu
Decisions
Me
Patience
" I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface. "
Ken Liu
Enjoy
Good
Look
" There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well. "
Ken Liu
History
Know
Culture
" The problems faced by writers of color are analogous to the problems face by women writers. "
Ken Liu
Writers
Color
Face
" The idea that somehow the way forward is to abandon the past, to me, is preposterous and both undesirable and unrealistic. "
Ken Liu
Way
Past
Me