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" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
Related Quotes:
" I find most 'rules' about how to write a 'good story' confining, and I enjoy writing stories that don't look like stories at all on the surface. "
Ken Liu
Enjoy
Good
Look
" In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy. "
Ken Liu
Me
Own
Colleagues
" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
Ken Liu
I Am
Science
Know
" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
Ken Liu
Technology
Language
Different
" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
Ken Liu
Way
Story
Stereotypes
" In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. "
Ken Liu
Language
Technology
Vision
" My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added. "
Ken Liu
Up
Wife
Fantasy
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" Translation is an act of recreation. "
Ken Liu
Translation
Act
Recreation
" The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions. "
Ken Liu
How
Nothing
Literature
" Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code. "
Ken Liu
Love
Science
Short
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" The problems faced by writers of color are analogous to the problems face by women writers. "
Ken Liu
Writers
Color
Face
" I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique. "
Ken Liu
Know
Best
Long
" Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added. "
Ken Liu
Language
Way
Us
" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
Ken Liu
Think
Work
Thinking
" When I act as a translator, I am really doing a performance for my fellow Anglophone readers in the West. "
Ken Liu
West
Doing
I Am
" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
Ken Liu
World
American
Think
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition
" Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity. "
Ken Liu
Science
Technology
Fantasy
" As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction. "
Ken Liu
Live
Key
Science
" There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well. "
Ken Liu
History
Know
Culture
" People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along. "
Ken Liu
Lose
Think
Power
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that. "
Ken Liu
Done
Voice
Style
" We have never had a society that was truly just. Some groups have always benefited at the expense of others. "
Ken Liu
Just
Never
Others