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" 'The Grace of Kings' draws on Western traditions as much as it does on Chinese traditions, though the bones of the story are drawn from the Chu-Han Contention period before the Han Dynasty. "
Ken Liu
Grace
Bones
Traditions
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" People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along. "
Ken Liu
Lose
Think
Power
" I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules. "
Ken Liu
Persuasion
Trying
Rules
" Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out. "
Ken Liu
Fun
Out
Work
" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
" For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration. "
Ken Liu
Politics
Problems
Kings
" Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves. "
Ken Liu
Rich
History
Facts
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" Like steampunk, silkpunk is a blend of science fiction and fantasy. But while steampunk takes its inspiration from the chrome-brass-glass technology aesthetic of the Victorian era, silkpunk draws inspiration from East Asian antiquity. "
Ken Liu
Science
Technology
Fantasy
" I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from. "
Ken Liu
Think
Culture
Writing
" My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is. "
Ken Liu
Try
Voice
You
" We have never had a society that was truly just. Some groups have always benefited at the expense of others. "
Ken Liu
Just
Never
Others
" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
Ken Liu
Acceptance
More
Technology
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition
" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
Ken Liu
Way
Story
Stereotypes
" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
" I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange. "
Ken Liu
Strange
Fantasy
Kind
" In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. "
Ken Liu
Language
Technology
Vision
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
Ken Liu
I Am
Science
Know
" Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own. "
Ken Liu
Rejection
Sun
Short
" There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well. "
Ken Liu
History
Know
Culture
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
" Translation is an act of recreation. "
Ken Liu
Translation
Act
Recreation
" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
Ken Liu
Over
Random
Which
" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
Ken Liu
Everyone
Story
Person
" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Ken Liu
Different
Write
Care
" Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns. "
Ken Liu
Driven
Science
Science Fiction
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History