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" It's incredible to me that any two individual minds, trapped in their skulls and bodies and histories and unique experiences, are able to reach across the void between them and touch at all. "
Ken Liu
Touch
Reach
Minds
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" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
Ken Liu
World
American
Think
" Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own. "
Ken Liu
Rejection
Sun
Short
" People who are ambitious - politicians who crave power - think that they're in control of it, but at some point, the movement that they started overtakes them, and they lose the ability to direct things anymore, and they become essentially riders on a wild stallion, and wherever the movement goes, wherever power takes them, they have to go along. "
Ken Liu
Lose
Think
Power
" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
Ken Liu
Think
Work
Thinking
" I like the law. I like the part that's about reasoning, about persuasion, about telling stories, about trying to build structures that fall within rules. "
Ken Liu
Persuasion
Trying
Rules
" The way that China has been described in Western narratives makes it hard to tell a story that will escape the stereotypes and allow people to perceive it fresh. "
Ken Liu
Way
Story
Stereotypes
" Most of us do not, in fact, read another language, and so when we read a translation, we have no way of knowing what has been changed or added. "
Ken Liu
Language
Way
Us
" In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It just depends where you are. Are you in the class that benefits, or are you in the class that's not? "
Ken Liu
Utopia
Revolution
Winners
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is meant to be a fun book. It's meant to be an epic fantasy. "
Ken Liu
Serious
Peace
Grace
" I'm very interested in foundational narratives. "
Ken Liu
Interested
Very
Narratives
" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
Ken Liu
Everyone
Story
Person
" The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. "
Ken Liu
Acceptance
More
Technology
" I'm often asked how I get ideas for my stories. The answer is there's no single way; every story is different. "
Ken Liu
Different
Ideas
Way
" The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. "
Ken Liu
Technology
Language
Different
" In general, writers who talk to their colleagues and neighbors constantly about their own writing seem to me pretty insufferable. I try not to be that guy. "
Ken Liu
Me
Own
Colleagues
" I am not an expert on Chinese science fiction. I probably know more than anyone else in the West, but that doesn't actually mean I am an expert. "
Ken Liu
I Am
Science
Know
" The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice. "
Ken Liu
Grace
World
Power
" It is not possible to completely eliminate mediation between you as an observer and the history you are trying to understand. "
Ken Liu
You
Trying
History
" When I act as a translator, I am really doing a performance for my fellow Anglophone readers in the West. "
Ken Liu
West
Doing
I Am
" As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction. "
Ken Liu
Live
Key
Science
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting. "
Ken Liu
Think
You
Interesting
" Translation is an act of recreation. "
Ken Liu
Translation
Act
Recreation
" The evolution of art is not only driven by artists, but by a conversation between the artists and the audience. "
Ken Liu
Conversation
Audience
Art
" Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species. "
Ken Liu
Nature
Writing
Truth
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Ken Liu
Different
Write
Care
" What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed. "
Ken Liu
Me
I Can
Way
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition