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" Japanese society doesn't have a god - no absolute presence. "
Hirokazu Kore-eda
God
Japanese
Presence
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" Hardly anyone says anything real in the courtroom. Almost everything is decided ahead of time, and the truth is found behind the scenes. "
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" You only get back what you are prepared to put in. "
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" My father did not have a lot of security in his life. He did odd jobs. He had a real struggle to make money. He lost a lot of time in his 20s, after the war, because he was sent to a forced-labour camp in Siberia. "
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" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "
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Child
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" A lot of people, especially Japanese, come to the theater to have a good cry. "
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" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
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Time
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" I am hopeful that films can connect people who are in conflict in a separated world. "
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World
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" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
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" When I choose child actors, I chose them for their personalities. And then I work with their own vocabulary, so I'm not imposing text or dialogue on them: I'm just receiving. "
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Child
Just
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" As a son and as a father, there are still various things that I haven't done as well as I should have - that's my dilemma and regret. "
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Done
Father
" When you make a documentary, you have to adapt to what reality imposes upon you. "
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Adapt
Reality
Documentary
" The children in 'Nobody Knows' had a resonance with me. The children are projections of myself. "
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Myself
Had
" My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV. "
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" I think a lot of Japanese morals are built around what the dead would think of us. "
Hirokazu Kore-eda
Dead
Around
I Think
" When I have been told that my films remind people of Ozu, I have never been too convinced. "
Hirokazu Kore-eda
Remind
Been
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" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "
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Busy
Watch
Work
" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "
Hirokazu Kore-eda
Nobody
First
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" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "
Hirokazu Kore-eda
Son
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Father
" I never want to be the all-knowing god of the story, manipulating what's to happen or the action. "
Hirokazu Kore-eda
God
Never
Story
" The Japanese don't have a specific religion, but a spirituality. A cap, shoes, and a table have a spirituality. When you eat an apple, you don't say you eat it: you say, 'I am receiving it.' Kind of like you are thanking the food. "
Hirokazu Kore-eda
Shoes
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" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "
Hirokazu Kore-eda
Praise
Nothing
Kind
" I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read. "
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Time
Fan
Long Time
" A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we lose all hope for cinema to ignite a richer conversation. "
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Hope
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" We can see loss as something missing, but that missing space can be filled with something else, and that creates healing. "
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Healing
Else
Loss
" My mother was really against it when I said I wanted to make films. She said that I should be a civil servant because that was safe, and it had security. But my mother was always very proud of my movies and would give videocassettes of them to all the neighbours. "
Hirokazu Kore-eda
Security
She
Mother
" Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. "
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You
Feel
Sometimes
" I am very happy that Japanese film can cross borders. "
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Am
I Am
Happy
" If my films did better at the box office in Japan, it would be easier to get them made. "
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Made
Japan
Easier
" Fast cutting, loud music, blood spewing everywhere, and gunshots permeating the scenes does not necessarily make for a shocking movie. "
Hirokazu Kore-eda
Blood
Fast
Loud