Home
Authors
Tags
App
Get QuoteDark Inspirational Quotes App
" I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read. "
Hirokazu Kore-eda
Time
Fan
Long Time
Related Quotes:
" In the eighties, there was a huge shift in the humor of Japanese television. Up until then, the humor was garnered by people who said humorous things, but in the '80s, it was garnered by people who were being laughed at while the audience watches and watches. "
Hirokazu Kore-eda
Television
Watches
Humor
" Japanese society doesn't have a god - no absolute presence. "
Hirokazu Kore-eda
God
Japanese
Presence
" If my films did better at the box office in Japan, it would be easier to get them made. "
Hirokazu Kore-eda
Made
Japan
Easier
" I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking. "
Hirokazu Kore-eda
Circle
Thinking
Time
" Fast cutting, loud music, blood spewing everywhere, and gunshots permeating the scenes does not necessarily make for a shocking movie. "
Hirokazu Kore-eda
Blood
Fast
Loud
" 'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. "
Hirokazu Kore-eda
Show
Opportunity
Me
" Reflecting on the past, where the film industry became united with 'national interest' and 'national policy,' I tend to think that keeping a clear distance from government authority is the right thing to do. "
Hirokazu Kore-eda
Think
Past
Government
" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "
Hirokazu Kore-eda
Praise
Nothing
Kind
" The vividness of children is easier to see when they're completely left to their own devices. "
Hirokazu Kore-eda
See
Children
Left
" I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature. "
Hirokazu Kore-eda
Believe
Human Nature
I Believe
" When you make a documentary, you have to adapt to what reality imposes upon you. "
Hirokazu Kore-eda
Adapt
Reality
Documentary
" When making documentaries, the most important thing I learned was to listen, observe gestures and facial expressions. "
Hirokazu Kore-eda
The Most Important
Important
Listen
" When I watch an actress say a line, I watch how they deliver the lines with gestures. "
Hirokazu Kore-eda
Actress
Watch
Line
" As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them. "
Hirokazu Kore-eda
Family
Help
Live
" When I make films, I don't think of any other directors or their work in terms of the rhythm of the editing or the tenor of the performances. "
Hirokazu Kore-eda
Other
Rhythm
Think
" Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. "
Hirokazu Kore-eda
You
Feel
Sometimes
" There's a difference between people being free and the atmosphere of 'freedom.' "
Hirokazu Kore-eda
People
Being
Difference
" All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he was younger. It really irritated me, and I told them they had to sort things out between themselves. Looking back on that, I see that it was really cold of me as a son. "
Hirokazu Kore-eda
Son
Looking Back
Father
" We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father, so she couldn't find the time to cook nice meals. So we ate more modern food: a lot of frozen and instant food. But I never complained about it to my mother. "
Hirokazu Kore-eda
Time
Father
Food
" I watch 'Electronic Boy' faithfully every week - not because I like the show but because I'm interested in where the smartest T.V. producers and directors are going, what direction they are headed in. "
Hirokazu Kore-eda
Like
Direction
Boy
" When I have been told that my films remind people of Ozu, I have never been too convinced. "
Hirokazu Kore-eda
Remind
Been
Films
" You only get back what you are prepared to put in. "
Hirokazu Kore-eda
Get
Back
Prepared
" I think a lot of Japanese morals are built around what the dead would think of us. "
Hirokazu Kore-eda
Dead
Around
I Think
" I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones as well as the bad ones. "
Hirokazu Kore-eda
Nobody
First
Bad
" Privacy is not really a concept in Japan. "
Hirokazu Kore-eda
Privacy
Really
Japan
" A lot of people, especially Japanese, come to the theater to have a good cry. "
Hirokazu Kore-eda
Japanese
People
Lot
" The children in 'Nobody Knows' had a resonance with me. The children are projections of myself. "
Hirokazu Kore-eda
Me
Myself
Had
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
Less
People
Interested
" It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake. "
Hirokazu Kore-eda
Think
You
Good
" I am hopeful that films can connect people who are in conflict in a separated world. "
Hirokazu Kore-eda
World
Conflict
Connect