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" I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. "
Hirokazu Kore-eda
Praise
Nothing
Kind
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" My mother used to work in a bank in Tokyo. It was a busy district, and after work, she used to go and watch films. "
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" I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human nature. "
Hirokazu Kore-eda
Believe
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I Believe
" The children in 'Nobody Knows' had a resonance with me. The children are projections of myself. "
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Me
Myself
Had
" I'm less interested in death itself than in people whose lives are touched by it. "
Hirokazu Kore-eda
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People
Interested
" When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. "
Hirokazu Kore-eda
Job
Honorable
Director
" As the Japanese family gets more and more atomized, grandparents don't live with the nuclear family, so parents of children can't consult with their own parents about how to raise their children and rely on that to help raise them. "
Hirokazu Kore-eda
Family
Help
Live
" I don't really like something serious depicted in a serious way; that's not my style. "
Hirokazu Kore-eda
Something
Style
Way
" Maybe family is an eternal subject for me. "
Hirokazu Kore-eda
Family
Subject
Me
" When I was a child, I loved making stories, so I thought maybe I would be a novelist. "
Hirokazu Kore-eda
Thought
Child
Loved
" Reflecting on the past, where the film industry became united with 'national interest' and 'national policy,' I tend to think that keeping a clear distance from government authority is the right thing to do. "
Hirokazu Kore-eda
Think
Past
Government
" My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV. "
Hirokazu Kore-eda
Loved
Mother
Movies
" I am very happy that Japanese film can cross borders. "
Hirokazu Kore-eda
Am
I Am
Happy
" In terms of film festivals, Cannes is the greatest launch pad. "
Hirokazu Kore-eda
Festivals
Film
Pad
" It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. "
Hirokazu Kore-eda
People
Want
Values
" 'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. "
Hirokazu Kore-eda
Show
Opportunity
Me
" When you make a documentary, you have to adapt to what reality imposes upon you. "
Hirokazu Kore-eda
Adapt
Reality
Documentary
" Japanese feel an intimacy with the dead, at least for people up to my generation. "
Hirokazu Kore-eda
Feel
Dead
People
" Privacy is not really a concept in Japan. "
Hirokazu Kore-eda
Privacy
Really
Japan
" When I have been told that my films remind people of Ozu, I have never been too convinced. "
Hirokazu Kore-eda
Remind
Been
Films
" I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a child, a director of family dramas for television. "
Hirokazu Kore-eda
Work
Child
Family
" We learn many things from children, always. "
Hirokazu Kore-eda
Children
Always
Many
" You only get back what you are prepared to put in. "
Hirokazu Kore-eda
Get
Back
Prepared
" Japanese society doesn't have a god - no absolute presence. "
Hirokazu Kore-eda
God
Japanese
Presence
" Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia. "
Hirokazu Kore-eda
Tokyo
Wonderful
Most
" When I am 60 or 70, I am sure I can still continue to make films on families. "
Hirokazu Kore-eda
Make
I Am
Continue
" I grew up without a father. "
Hirokazu Kore-eda
Father
Grew
Up
" Directing while overcoming differences of language and culture is a stimulating challenge. "
Hirokazu Kore-eda
Language
Culture
Challenge
" I've been a fan of Yoshida Akimi's manga for a long time; she's one of a few women's manga writers that I always read. "
Hirokazu Kore-eda
Time
Fan
Long Time
" With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set. "
Hirokazu Kore-eda
Camera
Create
Distance
" If my films did better at the box office in Japan, it would be easier to get them made. "
Hirokazu Kore-eda
Made
Japan
Easier