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" Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were. "
Colleen Atwood
Beauty
Just
You
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" I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers. "
Colleen Atwood
Layers
Say
Research
" Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are. "
Colleen Atwood
Makeup
You
Perception
" The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all. "
Colleen Atwood
Reality
People
World
" Every story is different, so what is a detail in one might not be in something else. Diversity is something I embrace and love about my work. "
Colleen Atwood
Diversity
Detail
Love
" I've always loved movies, art and clothes. "
Colleen Atwood
Loved
Movies
Clothes
" I have watched 'Project Runway,' but I'm not a devout watcher of it. But I think it's a great show, what I've seen of it, and I think Tim Gunn is a very positive, amazing guy. "
Colleen Atwood
Think
Amazing
Great
" My own style is pretty classic; I much prefer to design for others. "
Colleen Atwood
My Own
Much
Design
" I like the architecture of lingerie. "
Colleen Atwood
Lingerie
Like
Architecture
" I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration. "
Colleen Atwood
Production
Inspiration
Chicago
" The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired. "
Colleen Atwood
Today
Eyes
Gone
" I can create clothes for so many different time periods. I've always tried to avoid being pigeonholed. Plus, everything I learn about design and costume from one movie somehow works its way into something else. "
Colleen Atwood
Create
Time
Learn
" In real life, a lot of people at that level will have their kimonos made especially for them. "
Colleen Atwood
Will
Real
Lot
" It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth. "
Colleen Atwood
Men
Costumes
Good-Looking
" Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie. "
Colleen Atwood
Lot
Hollow
Even
" When I do period work, I really like to read about the period as much as I like to look at pictures because sometimes the written word is much better at conveying what their lives were really like and how much they had and where their clothes came from. Because, a lot of time, people dressed in their Sunday best to pose for a picture. "
Colleen Atwood
Picture
Work
Time
" I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly. "
Colleen Atwood
World
Looking
Me
" One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work. "
Colleen Atwood
Think
People
Design
" If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story. "
Colleen Atwood
Dress
Picture
Color
" Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me. "
Colleen Atwood
Art
Street
Process
" I wanted to be a painter when I was a kid. And then, I had to make a living. I had a child when I was in high school, so I kind of had that work phase in my life. "
Colleen Atwood
School
Work
Kind
" For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span. "
Colleen Atwood
Think
Beautiful
Fashion
" Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles. "
Colleen Atwood
Trying
Suit
Class
" I had to work out that it was something that could move, without having everybody in spray painted leotards. "
Colleen Atwood
Work
Without
Something
" I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at. "
Colleen Atwood
People
Change
Day
" My work space is so visually crammed. It's like an insane candy store. The number of textiles I'm surrounded with is mind boggling. It's a treat to come home to a nice negative space. "
Colleen Atwood
Treat
Work
Negative
" I choose colors I like and will photograph well. I don't do color theory! "
Colleen Atwood
Photograph
Color
Choose
" People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume. "
Colleen Atwood
You
Fashion
People
" I have always loved beautiful leather objects, especially the detail that goes into designing them both inside and out. "
Colleen Atwood
Inside
Loved
Beautiful
" I always loved clothes, just not clothes that were appropriate to the place I grew up in. "
Colleen Atwood
Always
Up
Place
" As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong? "
Colleen Atwood
You
Doing
Law