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" Makeup is very important for a show. It's really an accessory on the runway. You have to be sure that it fits the clothes. "
Francois Nars
Important
Runway
You
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" Having worked with so many of the geniuses, I'd learned so much. It's the best sort of photography school, to work with people like Penn or Avedon or Meisel. "
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" I had no connections, and the fashion world was a closed elite. So my mother made appointments for herself with three top Parisian makeup artists and spoke highly about me... she was my first publicist! "
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" Women are very unpredictable. "
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" I think there was a freedom in the 1920s and 1930s: a certain liberty and evolution of women. "
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" We don't tell women how to look but give them the products and inspiration they need to feel and look beautiful. "
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" There was a time when you would dream about, say, movie stars. Now, you virtually follow them into their bathroom when they're going to the loo. "
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" In America, when I first came here, they were used to wearing more make-up - thicker foundation, more Max Factor, that sort of thing. But you have to know who you are and what you look like: if you know yourself a little bit, you don't need to follow trends. "
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" I love the dramatic idea of having nothing on. "
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" It's not that I'm easily shocked. It takes a lot to shock me. And wildness I like. But vulgarity shocks me. "
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" We are not afraid to be a bit different, to make shades that are bold. "
Francois Nars
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" I really wanted to have a different approach of beauty because when I came to America, they were still heavily, heavily plastic. The ads were so heavily retouched. "
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" It was never in my mind to be famous. "
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Never
Mind
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" I never thought make-up was like brain surgery. "
Francois Nars
Like
Brain
Never
" A fresh face with a red lip is timeless. It's supermodern and relaxed but very chic. "
Francois Nars
Face
Fresh
Lip
" As a make-up artist, you always want to be in a good light, whether you're walking down the street or in a restaurant. It is a very key element to me; you can't apply good make-up in a bad light. "
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Walking
Light
Good
" I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17. "
Francois Nars
Time
Me
Child
" I met Iman and Jerry Hall and all those girls in the late Seventies right when I started working at the fashion shows in Paris as an assistant. "
Francois Nars
Paris
Late
Working
" Looking at flowers, simple things in life. I don't need to look at gold and a castle; sometimes its very simple things that are very beautiful. I am keeping my eyes fresh to find beauty in many places, and in gold, too, sometimes! "
Francois Nars
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Eyes
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" I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines. "
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" I can't remember the first time, but I've worked with supermodels almost from day one. "
Francois Nars
Day
Time
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" My vision was to create makeup that was more transparent but with formulas that last. I follow my instincts - it's all very spontaneous! "
Francois Nars
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Makeup
Vision
" I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid. "
Francois Nars
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Makeup
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" Even with - the best make-up in the world won't look good if you don't cleanse and exfoliate and have a good basic regime. This is why one of my goals has always been to create a skincare line. "
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Look
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" Go with what you're attracted to. "
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You
Go
" Wearing colourful eyeliner in a graphic shape is the epitome of make-up as an accessory. "
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Shape
" My mother never wore much make-up, and she was a kind of natural beauty; she knew just how to enhance what she had. "
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" There is a tendency to feature more actresses on covers, but I'm a big model lover. I grew up watching these models, and they gave me the wish, the need, to work in the fashion industry. I loved watching them - their beauty, the way they worked in front of the camera and that power of transformation, especially in the Seventies. "
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" I don't think there's a major change between runway and real life anymore. "
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" I'll keep creating modern, deep, rich and adventurous colors and products that inspire creative expression every day. "
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Day
Creative
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" It really has stayed practically the same. It wasn't like I used to do wild punk make-up: no, I always had the same vision. "
Francois Nars
Same
Vision
Wild