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" My vision was to create makeup that was more transparent but with formulas that last. I follow my instincts - it's all very spontaneous! "
Francois Nars
Create
Makeup
Vision
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" I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful. "
Francois Nars
Face
Time
Remember
" I launched NARS with 12 shades of lipsticks, and many, many launches later, I'm still most proud of our lipsticks. "
Francois Nars
Proud
Many
Most
" I made contours and all that, but in real life, you have to be very careful with that because you can go out in the street and look terrible. All those girls who show how to do contour, they do it quite well, but they're like makeup artists. They're in artificial light. "
Francois Nars
You
Street
Makeup
" My mother hated foundation; she hated having a mask on her face - and she pushed me to build my own vision and concept of beauty for women. "
Francois Nars
Mother
Women
Beauty
" My mother never wore much make-up, and she was a kind of natural beauty; she knew just how to enhance what she had. "
Francois Nars
Beauty
How
Mother
" Wearing colourful eyeliner in a graphic shape is the epitome of make-up as an accessory. "
Francois Nars
Graphic
Epitome
Shape
" I hate knowing where people go to the bathroom. You follow them going to pee, to eat - I hate everything when it comes to reality shows! "
Francois Nars
Knowing
People
You
" I love strong looks, so to me, no makeup is strong. As long as it makes a statement, that's what I like. The girls look very real, and I'm probably the only makeup artist who will say that I love a woman without makeup. "
Francois Nars
Strong
Woman
Long
" Working on fashion shows, you work with the designer and try to read his brain - what was in the creative process, what images did he have in his head? "
Francois Nars
Process
Fashion
Creative
" I photographed Alek Wek. She was amazing, and nobody knew about her then. It was a really strong photograph of her. "
Francois Nars
Knew
Strong
Her
" I met Iman and Jerry Hall and all those girls in the late Seventies right when I started working at the fashion shows in Paris as an assistant. "
Francois Nars
Paris
Late
Working
" Sometimes I'm attracted to more odd girls with stronger faces and features or a softer beauty with a lot of character. "
Francois Nars
Beauty
Character
Sometimes
" I don't think there's a major change between runway and real life anymore. "
Francois Nars
Life
Real
Real Life
" You are born with this love; fashion and beauty are a part of who I am. "
Francois Nars
You
Love
Beauty
" We love those under-eye circles. It's real life. "
Francois Nars
Life
Circles
Real Life
" When you photograph someone, you have to make them feel good, and you know that they want to look good. It's the same relationship that you have when you apply makeup on somebody. We're almost like shrinks. "
Francois Nars
Feel Good
Makeup
Relationship
" It's one thing to read about how makeup is applied. It's another thing altogether to watch it being put on. "
Francois Nars
How
Watch
One Thing
" Being a studio make-up artist and working on magazines was the only thing I wanted to do. "
Francois Nars
Only
Magazines
Artist
" The '80s and '90s were the greatest time to be a makeup artist. "
Francois Nars
Time
Were
Makeup
" I'm always looking to the lightweight superproduct that you apply and almost don't see. That's the ultimate, at least for me. "
Francois Nars
Always
Looking
Me
" From the start, I used a different kind of girl in Nars campaign images. My choice to use models of colour such as Alek Wek, Naomi Campbell and Karen Park Goude was absolutely a deliberate one. I felt that makeup was universal and should apply to everybody. "
Francois Nars
Park
Start
Makeup
" I've seen makeup destroy people and make them look bad if it's badly done. "
Francois Nars
Destroy
Done
Look
" I had no connections, and the fashion world was a closed elite. So my mother made appointments for herself with three top Parisian makeup artists and spoke highly about me... she was my first publicist! "
Francois Nars
Me
World
Fashion
" I love to collaborate with artists, like Guy Bourdin and Steven Klein, who don't have any boundaries. "
Francois Nars
I Love
Guy
Boundaries
" I've always loved the way movie stars in the Forties looked when they were off set. Shot poolside or at their home, they always wore a matte red lipstick with practically no foundation - it was how they wore makeup in real life. "
Francois Nars
Red
Home
Life
" There is a tendency to feature more actresses on covers, but I'm a big model lover. I grew up watching these models, and they gave me the wish, the need, to work in the fashion industry. I loved watching them - their beauty, the way they worked in front of the camera and that power of transformation, especially in the Seventies. "
Francois Nars
Beauty
Fashion
Work
" It's not that I'm easily shocked. It takes a lot to shock me. And wildness I like. But vulgarity shocks me. "
Francois Nars
Vulgarity
Shock
Shocked
" As a make-up artist, you always want to be in a good light, whether you're walking down the street or in a restaurant. It is a very key element to me; you can't apply good make-up in a bad light. "
Francois Nars
Walking
Light
Good
" I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid. "
Francois Nars
Loved
Makeup
Looking
" Looking at flowers, simple things in life. I don't need to look at gold and a castle; sometimes its very simple things that are very beautiful. I am keeping my eyes fresh to find beauty in many places, and in gold, too, sometimes! "
Francois Nars
Life
Eyes
Simple