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" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "
Thelma Schoonmaker
New York
Way
Family
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" I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it. "
Thelma Schoonmaker
Remember
Jump
Bad
" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "
Thelma Schoonmaker
End
Know
Great
" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "
Thelma Schoonmaker
Perspective
Start
You
" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "
Thelma Schoonmaker
Good
Way
You
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "
Thelma Schoonmaker
New York
Weird
Reason
" I never thought I would get married: I'm such a workaholic. "
Thelma Schoonmaker
Married
Never
Thought
" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
Thelma Schoonmaker
Relationship
Great
Eyes
" People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that. "
Thelma Schoonmaker
Learn
See
People
" In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's going, and he catches her in a lie. It was a great scene, especially for Bob's work, but we found that, in light of the whole film, it wasn't needed. "
Thelma Schoonmaker
Stone
Work
Great
" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "
Thelma Schoonmaker
Work
Chance
Friends
" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "
Thelma Schoonmaker
Nobody
Know
You
" My job is so wonderful. "
Thelma Schoonmaker
Job
Wonderful
" I was just stunned when I came to America. I didn't know anything about rock music or football, and I felt very out of it... America was like a foreign country to me at first. "
Thelma Schoonmaker
Music
Football
America
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "
Thelma Schoonmaker
Digital
You
Living
" Everybody would like us to make 'Goodfellas' over and over and over again. "
Thelma Schoonmaker
Again
Like
Make
" The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.' "
Thelma Schoonmaker
Fight
Think
Know
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
Thelma Schoonmaker
Time
Editing
Good
" I don't think you can be a great director without knowing a lot about editing. "
Thelma Schoonmaker
Great
Knowing
Lot
" The studio was very nervous about 'Raging Bull.' "
Thelma Schoonmaker
About
Nervous
Raging
" It's part of your job always as an editor: you always have to drop stuff. "
Thelma Schoonmaker
Job
You
Your
" There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film. "
Thelma Schoonmaker
Ego
Eye
Men
" Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly. "
Thelma Schoonmaker
Ability
Young
Some
" Boxing is insane and, in my opinion, should be banned. "
Thelma Schoonmaker
Should
Opinion
Insane
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big
" You have to have a great director to make a great movie. "
Thelma Schoonmaker
You
Make
Director
" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "
Thelma Schoonmaker
Bad
You
Sometimes
" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
Thelma Schoonmaker
Find
Trying
Done
" It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't. "
Thelma Schoonmaker
Someone
Who
Right