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" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "

Thelma Schoonmaker

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" Everybody would like us to make 'Goodfellas' over and over and over again. "

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" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "

Thelma Schoonmaker

" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "

Thelma Schoonmaker

" Film, if properly cared for, will last almost 100 years, but digital will not. "

Thelma Schoonmaker

" When you're a film-maker, sometimes you have to be a slave to continuity. "

Thelma Schoonmaker

" Ballet dancers really know how to enter a room. "

Thelma Schoonmaker

" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "

Thelma Schoonmaker

" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "

Thelma Schoonmaker

" You have to have a great director to make a great movie. "

Thelma Schoonmaker

" There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film. "

Thelma Schoonmaker

" I love being around great artists, and I've been around a few of them. "

Thelma Schoonmaker

" Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again. "

Thelma Schoonmaker

" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "

Thelma Schoonmaker

" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "

Thelma Schoonmaker

" To receive footage that has been shot with editing in mind, it is a blessing. "

Thelma Schoonmaker

" I was just stunned when I came to America. I didn't know anything about rock music or football, and I felt very out of it... America was like a foreign country to me at first. "

Thelma Schoonmaker

" It's part of your job always as an editor: you always have to drop stuff. "

Thelma Schoonmaker

" The studio was very nervous about 'Raging Bull.' "

Thelma Schoonmaker

" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "

Thelma Schoonmaker

" With Technicolor restorations, it's about getting the color right. "

Thelma Schoonmaker

" With digital editing, I now can make many, many versions of a scene. "

Thelma Schoonmaker

" My job is so wonderful. "

Thelma Schoonmaker

" It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage. "

Thelma Schoonmaker

" In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's going, and he catches her in a lie. It was a great scene, especially for Bob's work, but we found that, in light of the whole film, it wasn't needed. "

Thelma Schoonmaker

" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "

Thelma Schoonmaker

" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "

Thelma Schoonmaker

" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "

Thelma Schoonmaker

" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "

Thelma Schoonmaker

" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "

Thelma Schoonmaker

" I don't think you can be a great director without knowing a lot about editing. "

Thelma Schoonmaker