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" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "
Thelma Schoonmaker
Bad
You
Sometimes
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" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "
Thelma Schoonmaker
Trust
Strong
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" The studio was very nervous about 'Raging Bull.' "
Thelma Schoonmaker
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" I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it. "
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" Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job. "
Thelma Schoonmaker
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Be Happy
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" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "
Thelma Schoonmaker
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" An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots. "
Thelma Schoonmaker
Line
You
Two
" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
Thelma Schoonmaker
Relationship
Great
Eyes
" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "
Thelma Schoonmaker
Woman
Job
Men
" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "
Thelma Schoonmaker
Patience
Work
Women
" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "
Thelma Schoonmaker
Just
Dream
Story
" I was just stunned when I came to America. I didn't know anything about rock music or football, and I felt very out of it... America was like a foreign country to me at first. "
Thelma Schoonmaker
Music
Football
America
" With Technicolor restorations, it's about getting the color right. "
Thelma Schoonmaker
About
Getting
Color
" Even though my parents are American, I spent my whole childhood and adolescence abroad. "
Thelma Schoonmaker
American
Abroad
Parents
" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "
Thelma Schoonmaker
New York
Weird
Reason
" I'm not a big believer in fate, but, boy, I've had a lot of lucky breaks. "
Thelma Schoonmaker
Boy
Lucky
Lot
" I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.' "
Thelma Schoonmaker
Know
You
Better
" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "
Thelma Schoonmaker
Head
Bull
Example
" I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece. "
Thelma Schoonmaker
Look
Think
Black-And-White
" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
Thelma Schoonmaker
Possible
Will
Future
" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "
Thelma Schoonmaker
See
You
Mystery
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "
Thelma Schoonmaker
Me
Know
Best
" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
Thelma Schoonmaker
Find
Trying
Done
" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "
Thelma Schoonmaker
Nobody
Know
You
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
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Film
Hours
Three
" Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly. "
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Ability
Young
Some
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
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Time
Editing
Good
" Ballet dancers really know how to enter a room. "
Thelma Schoonmaker
How
Room
Know
" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "
Thelma Schoonmaker
Really
Improvisation
Silence