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" Everybody would like us to make 'Goodfellas' over and over and over again. "
Thelma Schoonmaker
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" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
Thelma Schoonmaker
Find
Trying
Done
" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "
Thelma Schoonmaker
Nobody
Know
You
" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "
Thelma Schoonmaker
Great
You
Story
" People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that. "
Thelma Schoonmaker
Learn
See
People
" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "
Thelma Schoonmaker
Perspective
Start
You
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "
Thelma Schoonmaker
Myself
Looking
Loved
" Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job. "
Thelma Schoonmaker
Liberal
Be Happy
Thought
" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
Thelma Schoonmaker
Heart
Me
Moment
" When you're a film-maker, sometimes you have to be a slave to continuity. "
Thelma Schoonmaker
Continuity
You
Sometimes
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
Thelma Schoonmaker
Film
Hours
Three
" There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film. "
Thelma Schoonmaker
Ego
Eye
Men
" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "
Thelma Schoonmaker
Together
Problems
Ideas
" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "
Thelma Schoonmaker
Digital
You
Living
" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Thelma Schoonmaker
Curve
Big
Learning
" Even though my parents are American, I spent my whole childhood and adolescence abroad. "
Thelma Schoonmaker
American
Abroad
Parents
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" It's part of your job always as an editor: you always have to drop stuff. "
Thelma Schoonmaker
Job
You
Your
" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "
Thelma Schoonmaker
Just
Dream
Story
" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "
Thelma Schoonmaker
Really
Improvisation
Silence
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big
" I don't think enough directors know enough about editing. "
Thelma Schoonmaker
Enough
Think
Know
" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "
Thelma Schoonmaker
Battle
Think
Fight
" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "
Thelma Schoonmaker
See
You
Mystery
" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
Thelma Schoonmaker
Relationship
Great
Eyes
" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "
Thelma Schoonmaker
Woman
Job
Men
" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "
Thelma Schoonmaker
Good
Way
You
" I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun. "
Thelma Schoonmaker
Fall
Fun
Love
" When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again. "
Thelma Schoonmaker
Over
Print
Watching
" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "
Thelma Schoonmaker
Reading
Go
Husband