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All Quotes by author - Thelma Schoonmaker
" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "
Trust
Strong
Great
" An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots. "
Line
You
Two
" As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life! "
Quite
Life
Imagine
" Ballet dancers really know how to enter a room. "
How
Room
Know
" Boxing is insane and, in my opinion, should be banned. "
Should
Opinion
Insane
" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "
Bad
You
Sometimes
" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Curve
Big
Learning
" Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again. "
Home
Discipline
You
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
Time
Editing
Good
" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "
Nobody
Know
You
" Even though my parents are American, I spent my whole childhood and adolescence abroad. "
American
Abroad
Parents
" Everybody would like us to make 'Goodfellas' over and over and over again. "
Again
Like
Make
" Film, if properly cared for, will last almost 100 years, but digital will not. "
Digital
Almost
Film
" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
Heart
Me
Moment
" Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job. "
Liberal
Be Happy
Thought
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thought
Always
Filmmaking
" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "
Digital
You
Living
" I don't think enough directors know enough about editing. "
Enough
Think
Know
" I don't think you can be a great director without knowing a lot about editing. "
Great
Knowing
Lot
" I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece. "
Look
Think
Black-And-White
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Death
Husband
Power
" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "
Me
Know
Best
" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
Relationship
Great
Eyes
" I have the best job in the world. "
Job
Best
World
" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
Possible
Will
Future
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Summer
Enough
Go
" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "
New York
Weird
Reason
" I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.' "
Know
You
Better
" I love being around great artists, and I've been around a few of them. "
Love
Great
Few
" I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun. "
Fall
Fun
Love
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