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" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "
Thelma Schoonmaker
Together
Problems
Ideas
Related Quotes:
" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "
Thelma Schoonmaker
Trust
Strong
Great
" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Thelma Schoonmaker
Curve
Big
Learning
" Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again. "
Thelma Schoonmaker
Home
Discipline
You
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" When you're a film-maker, sometimes you have to be a slave to continuity. "
Thelma Schoonmaker
Continuity
You
Sometimes
" When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again. "
Thelma Schoonmaker
Over
Print
Watching
" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "
Thelma Schoonmaker
Really
Improvisation
Silence
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" Ballet dancers really know how to enter a room. "
Thelma Schoonmaker
How
Room
Know
" I don't think enough directors know enough about editing. "
Thelma Schoonmaker
Enough
Think
Know
" I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece. "
Thelma Schoonmaker
Look
Think
Black-And-White
" It's part of your job always as an editor: you always have to drop stuff. "
Thelma Schoonmaker
Job
You
Your
" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "
Thelma Schoonmaker
Perspective
Start
You
" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "
Thelma Schoonmaker
Battle
Think
Fight
" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "
Thelma Schoonmaker
Great
You
Story
" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "
Thelma Schoonmaker
Myself
Looking
Loved
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" I was just stunned when I came to America. I didn't know anything about rock music or football, and I felt very out of it... America was like a foreign country to me at first. "
Thelma Schoonmaker
Music
Football
America
" With Technicolor restorations, it's about getting the color right. "
Thelma Schoonmaker
About
Getting
Color
" I'm not a big believer in fate, but, boy, I've had a lot of lucky breaks. "
Thelma Schoonmaker
Boy
Lucky
Lot
" Film, if properly cared for, will last almost 100 years, but digital will not. "
Thelma Schoonmaker
Digital
Almost
Film
" As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life! "
Thelma Schoonmaker
Quite
Life
Imagine
" We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room. "
Thelma Schoonmaker
Laugh
Doing
Better
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
Thelma Schoonmaker
Film
Hours
Three
" I love being around great artists, and I've been around a few of them. "
Thelma Schoonmaker
Love
Great
Few
" There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film. "
Thelma Schoonmaker
Ego
Eye
Men
" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "
Thelma Schoonmaker
New York
Weird
Reason
" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "
Thelma Schoonmaker
End
Know
Great
" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "
Thelma Schoonmaker
Me
Know
Best