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" I love being around great artists, and I've been around a few of them. "

Thelma Schoonmaker

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" Ballet dancers really know how to enter a room. "

Thelma Schoonmaker

" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "

Thelma Schoonmaker

" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "

Thelma Schoonmaker

" It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't. "

Thelma Schoonmaker

" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "

Thelma Schoonmaker

" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "

Thelma Schoonmaker

" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "

Thelma Schoonmaker

" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "

Thelma Schoonmaker

" You have to have a great director to make a great movie. "

Thelma Schoonmaker

" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "

Thelma Schoonmaker

" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "

Thelma Schoonmaker

" It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage. "

Thelma Schoonmaker

" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "

Thelma Schoonmaker

" Film, if properly cared for, will last almost 100 years, but digital will not. "

Thelma Schoonmaker

" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "

Thelma Schoonmaker

" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "

Thelma Schoonmaker

" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "

Thelma Schoonmaker

" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "

Thelma Schoonmaker

" With digital editing, I now can make many, many versions of a scene. "

Thelma Schoonmaker

" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "

Thelma Schoonmaker

" I don't think you can be a great director without knowing a lot about editing. "

Thelma Schoonmaker

" Throwing things out is one of the most difficult and important things you ever have to do. "

Thelma Schoonmaker

" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "

Thelma Schoonmaker

" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "

Thelma Schoonmaker

" We do documentaries on the history of cinema in between our feature films. "

Thelma Schoonmaker

" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "

Thelma Schoonmaker

" We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room. "

Thelma Schoonmaker

" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "

Thelma Schoonmaker

" Even though my parents are American, I spent my whole childhood and adolescence abroad. "

Thelma Schoonmaker

" I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.' "

Thelma Schoonmaker