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" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "

Thelma Schoonmaker

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" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "

Thelma Schoonmaker

" I have the best job in the world. "

Thelma Schoonmaker

" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "

Thelma Schoonmaker

" Even though my parents are American, I spent my whole childhood and adolescence abroad. "

Thelma Schoonmaker

" I never thought I would get married: I'm such a workaholic. "

Thelma Schoonmaker

" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "

Thelma Schoonmaker

" Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly. "

Thelma Schoonmaker

" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "

Thelma Schoonmaker

" Having been raised overseas, I wanted to become a diplomat. But the State Department thought I was too 'liberal' to be happy with that job. "

Thelma Schoonmaker

" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "

Thelma Schoonmaker

" We do documentaries on the history of cinema in between our feature films. "

Thelma Schoonmaker

" In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's going, and he catches her in a lie. It was a great scene, especially for Bob's work, but we found that, in light of the whole film, it wasn't needed. "

Thelma Schoonmaker

" It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't. "

Thelma Schoonmaker

" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "

Thelma Schoonmaker

" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "

Thelma Schoonmaker

" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "

Thelma Schoonmaker

" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "

Thelma Schoonmaker

" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "

Thelma Schoonmaker

" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "

Thelma Schoonmaker

" Ballet dancers really know how to enter a room. "

Thelma Schoonmaker

" I don't think you can be a great director without knowing a lot about editing. "

Thelma Schoonmaker

" I love being around great artists, and I've been around a few of them. "

Thelma Schoonmaker

" With digital editing, I now can make many, many versions of a scene. "

Thelma Schoonmaker

" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "

Thelma Schoonmaker

" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "

Thelma Schoonmaker

" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "

Thelma Schoonmaker

" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "

Thelma Schoonmaker

" With Technicolor restorations, it's about getting the color right. "

Thelma Schoonmaker

" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "

Thelma Schoonmaker

" As you can imagine, between Michael Powell and Martin Scorsese, I've had quite a rich life! "

Thelma Schoonmaker