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" We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room. "
Thelma Schoonmaker
Laugh
Doing
Better
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" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "
Thelma Schoonmaker
Woman
Job
Men
" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "
Thelma Schoonmaker
Together
Problems
Ideas
" I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece. "
Thelma Schoonmaker
Right
Remember
Everyone
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big
" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "
Thelma Schoonmaker
New York
Way
Family
" Even though my parents are American, I spent my whole childhood and adolescence abroad. "
Thelma Schoonmaker
American
Abroad
Parents
" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Thelma Schoonmaker
Curve
Big
Learning
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" Throwing things out is one of the most difficult and important things you ever have to do. "
Thelma Schoonmaker
Difficult
Most
Things
" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "
Thelma Schoonmaker
Good
Way
You
" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "
Thelma Schoonmaker
Just
Dream
Story
" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
Thelma Schoonmaker
Find
Trying
Done
" I never thought I would get married: I'm such a workaholic. "
Thelma Schoonmaker
Married
Never
Thought
" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "
Thelma Schoonmaker
End
Know
Great
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. "
Thelma Schoonmaker
Really
Improvisation
Silence
" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
Thelma Schoonmaker
Possible
Will
Future
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
Thelma Schoonmaker
Film
Hours
Three
" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "
Thelma Schoonmaker
Work
Chance
Friends
" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "
Thelma Schoonmaker
Patience
Work
Women
" I don't think you can be a great director without knowing a lot about editing. "
Thelma Schoonmaker
Great
Knowing
Lot
" I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece. "
Thelma Schoonmaker
Look
Think
Black-And-White
" You have to have a great director to make a great movie. "
Thelma Schoonmaker
You
Make
Director
" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "
Thelma Schoonmaker
Reading
Go
Husband
" The studio was very nervous about 'Raging Bull.' "
Thelma Schoonmaker
About
Nervous
Raging
" Film, if properly cared for, will last almost 100 years, but digital will not. "
Thelma Schoonmaker
Digital
Almost
Film
" When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again. "
Thelma Schoonmaker
Over
Print
Watching
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
Thelma Schoonmaker
Time
Editing
Good
" Everybody would like us to make 'Goodfellas' over and over and over again. "
Thelma Schoonmaker
Again
Like
Make
" It's part of your job always as an editor: you always have to drop stuff. "
Thelma Schoonmaker
Job
You
Your