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" Short fiction encourages experimentation, and it's fun to play with form and try experiments that may or may not work out. "
Ken Liu
Fun
Out
Work
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" My wife, Lisa, and I both grew up on wuxia - Chinese historical romances. They're kind of analogous to Western epics. They're based on history, just like 'the Iliad' and 'the Odyssey' are based on history, but they're romanticized, and a lot of fantasy elements have been added. "
Ken Liu
Up
Wife
Fantasy
" I still think in a parallel universe, I became a mathematician. "
Ken Liu
Parallel
Think
Universe
" It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous. "
Ken Liu
Understanding
Grateful
I Am
" I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories. "
Ken Liu
Think
Work
Thinking
" The idea that somehow the way forward is to abandon the past, to me, is preposterous and both undesirable and unrealistic. "
Ken Liu
Way
Past
Me
" We have never had a society that was truly just. Some groups have always benefited at the expense of others. "
Ken Liu
Just
Never
Others
" My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is. "
Ken Liu
Try
Voice
You
" Researching real history has taught me to be bolder and more imaginative in building fantasy worlds and writing fantasy characters, to seek out the margins of history and the forgotten tales that illuminate the whole, complex truth of our flawed yet wondrous nature as a species. "
Ken Liu
Nature
Writing
Truth
" Trying to predict the future is a loser's game. "
Ken Liu
Future
Game
Loser
" As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with. "
Ken Liu
American
Tradition
Push
" As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction. "
Ken Liu
Live
Key
Science
" My fiction occupies, actually, the very heart of American culture: this eternal question and struggle of what it means to be an American. "
Ken Liu
Very
Struggle
Heart
" There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story. "
Ken Liu
Story
Good
Way
" If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. "
Ken Liu
Work
Great
End
" Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own. "
Ken Liu
Rejection
Sun
Short
" For me, all fiction is about prizing the logic of metaphors - which is the logic of narratives in general - over reality, which is irreducibly random and senseless. "
Ken Liu
Over
Random
Which
" There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well. "
Ken Liu
History
Know
Culture
" What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed. "
Ken Liu
Me
I Can
Way
" Writers are naturally obsessed with books, the tangible artifacts of their labor. Even beyond the text, I love the physicality of books, the possibilities presented by their substance and form. "
Ken Liu
Text
Beyond
Possibilities
" I'm not sure I necessarily have explicit messages. "
Ken Liu
Sure
Necessarily
Messages
" I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting. "
Ken Liu
Think
You
Interesting
" I don't have a specific message for 'The Grace of Kings' and the sequels in mind other than wanting to challenge some of the source material I was working from as well as some of the assumptions of epic fantasy. "
Ken Liu
Kings
Grace
Challenge
" The 'Grace of Kings' begins as a very dark, complicated world filled with injustices - among them the oppressed position of women - but gradually transforms into something better through a series of revolutions. But since real social change takes a long time, even by the end of the book, only the seeds of deep change have been planted. "
Ken Liu
Women
Book
Change
" I think the narrative of people being caught between two cultures as immigrants is very harmful. It's exclusionary. It essentially tries to argue that some Americans are more real than others. "
Ken Liu
Others
Think
Real
" I don't really care that much about genre labels. I tend to write across a variety of different genres. "
Ken Liu
Different
Write
Care
" In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. "
Ken Liu
Language
Technology
Vision
" For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration. "
Ken Liu
Politics
Problems
Kings
" It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - you just need one person who really likes your story. "
Ken Liu
Everyone
Story
Person
" What tends to happen when people talk about Chinese sci-fi in the West is that there's a lot of projection. We prefer to think of China as a dystopian world that is challenging American hegemony, so we would like to think that Chinese sci-fi is all either militaristic or dystopian. But that's just not the reality of it. "
Ken Liu
World
American
Think
" The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read. "
Ken Liu
Way
Country
Tradition