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" I need a release from whatever I'm writing. "
Lynn Nottage
Need
Release
Whatever
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" If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that. "
Lynn Nottage
Questions
Anger
Doing
" The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller. "
Lynn Nottage
Love
Political
Person
" It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway. "
Lynn Nottage
Only
Work
Struggle
" My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters. "
Lynn Nottage
Nothing
Decisions
People
" In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way. "
Lynn Nottage
School
World
Relationship
" It's very important for me to have dialogues across racial lines. "
Lynn Nottage
Racial
Me
Very
" I always thought of my mother as a warrior woman, and I became interested in pursuing stories of women who invent lives in order to survive. "
Lynn Nottage
Mother
Warrior
Woman
" In listening to the narratives of the Congolese, I came to terms with the extent to which their bodies had become battlefields. "
Lynn Nottage
Had
Listening
Which
" Winning the second Pulitzer firmly places me in conversation with this culture. "
Lynn Nottage
Culture
Conversation
Winning
" If you're looking at the people who head the institutions, there are very few African Americans or people of colour. I'm talking about the major theatres that position themselves as serving all audiences. What you find is, by and large, people who are shaping what we see, and the people who are the tastemakers are white. "
Lynn Nottage
Looking
White
You
" Plays are getting smaller and smaller, not because playwrights minds are shrinking but because of the economics. "
Lynn Nottage
Getting
Minds
Economics
" By the sheer act of writing, we are trying to place value on the stories that we're invested in. "
Lynn Nottage
Writing
Stories
Value
" I love my people's history. I feel a huge responsibility to tell the stories of my past and my ancestors' past. "
Lynn Nottage
Past
History
Love
" My parents are avid consumers of art, collectors of African American paintings, and have always gone to the theater. My mother has always been an activist, too. As long as I can remember, we were marching in lines. "
Lynn Nottage
American
Remember
Parents
" As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation. "
Lynn Nottage
Beginning
Woman
Power
" I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them. "
Lynn Nottage
Think
Engaging
Become
" The presence of a bed changes the way people interact. "
Lynn Nottage
Bed
Changes
People
" I teach at Columbia, and I'm always looking for books I can lose myself in during the 45 minutes I'm on the train. "
Lynn Nottage
Myself
Train
I Can
" There's never any ebb in human misery. "
Lynn Nottage
Human
Misery
Any
" It's very easy, when we're reading those articles on the 20th page of 'The New York Times,' to distance ourselves and say, 'It's someone else.' "
Lynn Nottage
New York
Reading
Distance
" The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long. "
Lynn Nottage
Long
You
Want
" I'm always hyperaware of the way in which working people are portrayed on the stage. "
Lynn Nottage
People
Stage
Way
" I am a storyteller by trade. "
Lynn Nottage
Am
Storyteller
Trade
" All of my plays are about people who have been marginalized... erased from the public record. "
Lynn Nottage
People
Public
Who
" In senior year at college, Paula Vogel was my playwriting teacher; she is the first person to introduce me to the notion that a woman could actually forge a career in the theatre. Up until then, the possibility seemed remote and inaccessible, as I had very few role models who directly touched my life. "
Lynn Nottage
Life
Teacher
Theatre
" When you begin a play, you're going to have to spend a lot of time with those characters, so those characters are going to have to be rich enough that you want to take a very long journey with them. That's how I begin thinking about what I want to write about and who I want to write about. "
Lynn Nottage
You
Thinking
Rich
" 'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.' "
Lynn Nottage
Saying
Great
Play
" I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway. "
Lynn Nottage
Play
Theatre
Home
" I know what I'm trying to say, so I'm always open to learning how to say it. "
Lynn Nottage
How
Always
Know
" In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity. "
Lynn Nottage
Women
War
Role