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" I think sometimes you need distance to reflect. "
Lynn Nottage
Sometimes
Distance
You
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" It remains an incredible struggle for women in theater, and, in particular, playwrights and directors, to get their work seen and to not only get seen, but to get it to Broadway. "
Lynn Nottage
Only
Work
Struggle
" The people sometimes who are closest to us are the ones who bear the brunt of our frustration. "
Lynn Nottage
Bear
Us
Sometimes
" I need a release from whatever I'm writing. "
Lynn Nottage
Need
Release
Whatever
" If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that. "
Lynn Nottage
Questions
Anger
Doing
" As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation. "
Lynn Nottage
Beginning
Woman
Power
" I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release. "
Lynn Nottage
Brain
Time
Same
" My fears about where theater is going - it's the Hollywood model, where people are chasing the almighty dollar and making commercial decisions based on nothing more than generating income for themselves and their theaters. "
Lynn Nottage
Nothing
Decisions
People
" I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another. "
Lynn Nottage
I Am
Think
Looking
" Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens. "
Lynn Nottage
Audience
Reach
Humor
" In listening to the narratives of the Congolese, I came to terms with the extent to which their bodies had become battlefields. "
Lynn Nottage
Had
Listening
Which
" I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays. "
Lynn Nottage
Myself
Touch
See
" What I often do when I'm writing, if I can't find that story, I go out and I hunt for it. "
Lynn Nottage
Find
Go
Hunt
" African American women in particular have incredible buying power. Statistically, we go to the movies more than anyone. We have made Tyler Perry's career. His films open with $25 million almost consistently. "
Lynn Nottage
Movies
American
Career
" The stage is the last bastion of segregation. "
Lynn Nottage
Segregation
Last
Stage
" There is an enduring feeling that women can write domestic dramas but don't have the muscularity or the vision to write state-of-the-nation narratives. "
Lynn Nottage
Feeling
Vision
Women
" I always describe race as the final taboo in American theatre. There's a real reluctance to have that conversation in an open, honest way on the stage. "
Lynn Nottage
Conversation
Theatre
Race
" People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process. "
Lynn Nottage
End
Think
You
" Each play I write has its own unique origin story. "
Lynn Nottage
Unique
Own
Play
" It's very important for me to have dialogues across racial lines. "
Lynn Nottage
Racial
Me
Very
" I am a storyteller by trade. "
Lynn Nottage
Am
Storyteller
Trade
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Lynn Nottage
Start
Writing
Music
" My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here. "
Lynn Nottage
Cleaning
Father
People
" Winning the second Pulitzer firmly places me in conversation with this culture. "
Lynn Nottage
Culture
Conversation
Winning
" We need to diversify the people who are backstage and producing and marketing these shows. It's the limitations of these people that are holding Broadway back. "
Lynn Nottage
Back
Broadway
Marketing
" 'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.' "
Lynn Nottage
Saying
Great
Play
" The great thing about 'Vera Stark' is that my research was watching movies, screwball comedies, so I could literally sit back and relax. "
Lynn Nottage
Relax
Movies
Great
" We live in a global society, and I don't think we can talk about, quote unquote, 'American themes' anymore. "
Lynn Nottage
American
Live
Society
" I don't think any of us could predict Trump. Trump is the stuff of nightmares. But in talking to people, I knew there was a tremendous level of disaffection and anger and sorrow. I know people felt misrepresented and voiceless. "
Lynn Nottage
People
Talking
Us
" The essence of creativity is to look beyond where you can actually see. I don't want to dwell in same place too long. "
Lynn Nottage
Long
You
Want
" I am a Tony voter; it is an honor that I take seriously. Each season, I enter the process with a degree of enthusiasm and optimism, which dissipates as I slowly plow through show after show. "
Lynn Nottage
Season
Honor
I Am