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" The character of Cable is complex. "
David Leitch
Cable
Complex
Character
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" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
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You
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" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
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Present
" Music emotionally and psychologically transports you immediately. "
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Immediately
Emotionally
Music
" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
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Think
Franchise
Good
" Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours. "
David Leitch
Hockey
War
Safe
" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
David Leitch
Want
Action
Knowing
" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
David Leitch
Process
Character
Fight
" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
David Leitch
Way
Production
Action
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
David Leitch
Coming
Kind
Always
" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
David Leitch
Trying
Suits
Rock And Roll
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art
" All film, at the end of the day, has wish-fulfillment. "
David Leitch
Day
End Of The Day
End
" Choreographing a fight scene is telling a little story. You learn a lot about the characters involved. "
David Leitch
Lot
You
Story
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
David Leitch
Action
Fun
Giving
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity
" Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance. "
David Leitch
Walk
Chance
Character
" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
David Leitch
Evil
Love
Fan
" Selling art is a lot different than making it. "
David Leitch
Selling
Than
Art
" You know, the 'Atomic Blonde' universe is its own universe. There's influences obviously of Bond and Bourne and 'Wick,' all the things I've been exposed to, but it is its own universe. "
David Leitch
Know
Own
Universe
" The DNA of 'Deadpool' shouldn't change. "
David Leitch
Change
DNA
" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
David Leitch
People
Mysterious
Credit
" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
David Leitch
Partner
Arts
You
" Spies go undercover. They take on different personas. "
David Leitch
Undercover
Take
Go
" Friends who are directors like Jim Mangold or the Wachowskis or Zack Snyder - who, whether they know or not - have really left a mark on who I am as a director. "
David Leitch
Like
Friends
I Am
" You have to make bold choices to be noticed. "
David Leitch
Choices
Make
Noticed
" The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition. "
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You
More
Know
" In the stunt world, fights and vehicles are often two different disciplines. "
David Leitch
Vehicles
Stunt
Different
" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
David Leitch
You
Stunt
Ground