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" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
David Leitch
You
Why
Art
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" We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover. "
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" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
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" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
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" The DNA of 'Deadpool' shouldn't change. "
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" You have to make bold choices to be noticed. "
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" There are a lot of big action movies that we've worked on where the attitude has been, 'Let's just get through this scene.' Then you get those jumpy, what-were-they-thinking action sequences. "
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" Some actors have an affinity for dance, and they should explore it, train in it, and get good. "
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" Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance. "
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" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
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" Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first. "
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" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
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" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
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Talking
Stunt
Become
" In the stunt world, fights and vehicles are often two different disciplines. "
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" People want to be empowered to the point where they can thwart their enemies physically. "
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Enemies
" Coming from an action background, I always approach the action sequences in any script as kind of placeholders. "
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Coming
Kind
Always
" Spies go undercover. They take on different personas. "
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Go
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
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" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
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Rules
Fun
" As a director, just to be able to jump in to do something that's different, and to explore comedy and be challenged by that, is great. Some directors never get that opportunity. "
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Great
Opportunity
Jump
" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
David Leitch
You
Stunt
Ground
" It's called 'John Wick' - it's really about this guy's very simple journey. We just didn't want to clutter it. It's gratifying it in its own right, in its simplicity. "
David Leitch
Journey
Want
Simplicity
" I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them. "
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Makeup
World
Think
" As a filmmaker, I'm a collaborator first. "
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" Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked. "
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You
Acting
Dive
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
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Way
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Action
" The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer. "
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" The character of Cable is complex. "
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Cable
Complex
Character
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
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Sometimes
Fun
Back
" Selling art is a lot different than making it. "
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Selling
Than
Art
" I think what's really important is to challenge yourself. You can very easily fall into the rut of, 'We know it works! We'll use that old chestnut.' "
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Know
Fall
Challenge