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" Friends who are directors like Jim Mangold or the Wachowskis or Zack Snyder - who, whether they know or not - have really left a mark on who I am as a director. "
David Leitch
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Friends
I Am
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" Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either. "
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" I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters. "
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" If you have John Goodman in your movie, you want to use him as much as possible. "
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" I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers. "
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" The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic. "
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World
Ideas
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" I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional. "
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Process
Character
Fight
" Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing. "
David Leitch
Partner
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" People want to be empowered to the point where they can thwart their enemies physically. "
David Leitch
Where
People
Enemies
" I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being. "
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Action
Fun
Giving
" Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film. "
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You
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Ground
" I think what's really important is to challenge yourself. You can very easily fall into the rut of, 'We know it works! We'll use that old chestnut.' "
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Know
Fall
Challenge
" The character of Cable is complex. "
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Cable
Complex
Character
" Selling art is a lot different than making it. "
David Leitch
Selling
Than
Art
" Sometimes, the action genre does get stale. Although I want to go back and see my favorite characters in their tentpoles - and will religiously do that - it's really fun to see breakout ideas and concepts. Let's make some new stories. "
David Leitch
Sometimes
Fun
Back
" People have given their lives to this industry to make movies compelling. "
David Leitch
Industry
People
Movies
" Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers. "
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You
Why
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" Music emotionally and psychologically transports you immediately. "
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Immediately
Emotionally
Music
" While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way. "
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Way
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" If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll. "
David Leitch
Trying
Suits
Rock And Roll
" You can sometimes break rules in comics that you can't necessarily break in cinema. It's fun to find something cool in a comic and then try and find a way to break the same rule in another medium. "
David Leitch
You
Rules
Fun
" You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed. "
David Leitch
Action
Fight
Speed
" The DNA of 'Deadpool' shouldn't change. "
David Leitch
Change
DNA
" I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too. "
David Leitch
Evil
Love
Fan
" I think in the 'Deadpool' franchise, the writers are really good at distilling the good stuff and applying that to the material in this universe. "
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Think
Franchise
Good
" You always start a fight scene or an action scene with, 'What are we learning about this character at the moment, and how are we gonna arc him or her in the next three minutes,' and it's no different with 'Deadpool' or 'Atomic Blonde' or 'John Wick.' "
David Leitch
Fight
Character
You
" As a stunt guy, you become a mini-director. You're talking to actors about performance. "
David Leitch
Talking
Stunt
Become
" A lot of people don't give their audiences credit. You can leave it a little mysterious. They can think about it. "
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People
Mysterious
Credit
" You have to make bold choices to be noticed. "
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Choices
Make
Noticed
" In the stunt world, fights and vehicles are often two different disciplines. "
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Vehicles
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Different
" All film, at the end of the day, has wish-fulfillment. "
David Leitch
Day
End Of The Day
End