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" The people sometimes who are closest to us are the ones who bear the brunt of our frustration. "
Lynn Nottage
Bear
Us
Sometimes
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" Replace judgment with curiosity. "
Lynn Nottage
Judgment
Curiosity
Replace
" If the Tony Awards want to remain relevant in the American theater conversation, then they need to embrace the true diversity of voices that populate the American theater. "
Lynn Nottage
True
American
Conversation
" I wrote 'Ruined' and 'Vera Stark' at the same time. That's just how my brain functions - when I'm dwelling someplace very heavy, I need a release. "
Lynn Nottage
Brain
Time
Same
" Before I start, I create a set list that I listen to while I'm writing. For 'Intimate Apparel,' I loaded Erik Satie, Scott Joplin, klezmer music, and the American jazz performer and composer Reginald Robinson. "
Lynn Nottage
Start
Writing
Music
" I knew that there was a great deal of depth and life that was sitting just beyond my mother's gaze. "
Lynn Nottage
Life
Sitting
Mother
" I try to be led by my curiosity. "
Lynn Nottage
Try
Curiosity
Led
" I love my people's history. I feel a huge responsibility to tell the stories of my past and my ancestors' past. "
Lynn Nottage
Past
History
Love
" Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn. "
Lynn Nottage
Growing Up
New
Driving
" Saying, 'I'm going to create jobs' is great, but before you create jobs, something has to be offered to alleviate some of the suffering now. "
Lynn Nottage
Suffering
Great
Saying
" Who wants to see the same play again? I certainly don't want to write the same play again and again. "
Lynn Nottage
Play
Same
Again
" The great thing about 'Vera Stark' is that my research was watching movies, screwball comedies, so I could literally sit back and relax. "
Lynn Nottage
Relax
Movies
Great
" I think folks who are resistant to engaging in art become less so once they encounter art that really reflects them. "
Lynn Nottage
Think
Engaging
Become
" I was really interested in the way in which poverty and economic stagnation were transforming and corrupting the American narrative. "
Lynn Nottage
Which
Way
Poverty
" In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity. "
Lynn Nottage
Women
War
Role
" I see procrastination and research as part of my artistic process. "
Lynn Nottage
Process
Procrastination
See
" I'm interested in people who are dwelling outside the mainstream. And very often, those people happen to be woman of color. "
Lynn Nottage
Outside
Happen
Woman
" Ultimately, we're incredibly resilient creatures. People really do get on with the business of living. "
Lynn Nottage
Living
Business
Creatures
" People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process. "
Lynn Nottage
End
Think
You
" I always describe race as the final taboo in American theatre. There's a real reluctance to have that conversation in an open, honest way on the stage. "
Lynn Nottage
Conversation
Theatre
Race
" I feel like 'Sweat' arrived on Broadway at the moment that it needed to. I feel like a commercial audience was not prepared for 'Ruined' or 'Intimate Apparel' for many different reasons. "
Lynn Nottage
Moment
Broadway
Sweat
" There was no way I was going to write about Africa and not include the triumphant continuity of life that had also been part of my experience there. It's not just war and famine all the time. "
Lynn Nottage
Time
Life
Way
" The more you go to a theatre and the more you hear stories you aren't necessarily familiar with, the more open you become. "
Lynn Nottage
You
Become
Go
" I think that human beings were incredibly resilient; otherwise, we wouldn't keep going. "
Lynn Nottage
Going
Human
Keep
" I've been asked a lot why didn't 'Ruined' go to Broadway. It was the most successful play that Manhattan Theatre Club has ever had in that particular space, and yet we couldn't find a home on Broadway. "
Lynn Nottage
Play
Theatre
Home
" Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines. "
Lynn Nottage
Powerful
Think
People
" In listening to the narratives of the Congolese, I came to terms with the extent to which their bodies had become battlefields. "
Lynn Nottage
Had
Listening
Which
" I am a storyteller by trade. "
Lynn Nottage
Am
Storyteller
Trade
" In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way. "
Lynn Nottage
School
World
Relationship
" I need a release from whatever I'm writing. "
Lynn Nottage
Need
Release
Whatever
" Women are standing up and leaning forward and asserting their power. "
Lynn Nottage
Power
Standing
Up