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" There are a lot of people who will tell you I'm very ruthless. I'm very fierce. If I feel I'm right, if I feel I've been violated, then I am like a warrior from hell! "
George C. Wolfe
I Am
People
You
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" When 'The Normal Heart' first appeared, the sense of urgency was so important. "
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Sense
" 'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever. "
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Heart
You
Comedy
" There is a real affection for these human beings on these stage that O'Neill really had. Out of that affection comes a lot of humor, which is unexpected when you think of 'The Iceman Cometh.' "
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" The worst thing when you're working is to say, 'I have a question,' and the other person goes, 'No! This is what it is.' That kind of rigidity is very challenging because musicals are constantly mutating. "
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You
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Person
" Surviving failure is one thing. Surviving success is... is challenging, with the consequences and what you lose along the way. "
George C. Wolfe
You
Way
Success
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" AIDS is a shared truth - it's not selective in its wrath. "
George C. Wolfe
Shared
Wrath
AIDS
" When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free. "
George C. Wolfe
You
Free
Serving
" The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster. "
George C. Wolfe
Working
Same
Show
" My absolutely favorite time of working on a project is the time I spend not knowing what it is. Because the longer you live inside that period, the likelier you are to discover something new. "
George C. Wolfe
Time
Knowing
Live
" I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well. "
George C. Wolfe
Problems
Hard Work
Fly
" I've always tried to do shows in a filmic way. I like it when forms smack up against each other. "
George C. Wolfe
Way
Tried
Always
" The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived. "
George C. Wolfe
Mother
Character
America
" On different projects, different pieces of you will show up. Sometimes it's surprising which piece shows up. "
George C. Wolfe
You
Show
Sometimes
" I'm the most democratic fascist you'll ever meet. I listen to everybody, and then I make a decision. "
George C. Wolfe
You
Listen
Then
" Doing any kind of culture in America in which you are not trying to affirm a European aesthetic is war. "
George C. Wolfe
You
Kind
Culture
" You've got to make the rehearsal room very safe. You can't bully people, because if you bully people, they're going to freeze and lock up. "
George C. Wolfe
Safe
Going
People
" A music serves truth up to you in a really interesting way that allows you to luxuriate in its beauty and, at the same time, to hopefully see yourself in its fragility. "
George C. Wolfe
Truth
Yourself
Time
" I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated. "
George C. Wolfe
Chance
You
Me
" I pride myself on being available to as many people's stories as I possibly can. "
George C. Wolfe
People
Being
Stories
" Theater should address the stories of its communities, or I don't know why it's here. "
George C. Wolfe
Theater
Why
Stories
" If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere. "
George C. Wolfe
Theatre
Love
Experience
" Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. "
George C. Wolfe
Before
Connected
Even
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" It may take a while, but I think 'On the Town' has the potential for us to break down the boundaries between the traditional theatergoer who may have fond memories of the musical and those with a 'Broadway-is-not-for-me' agenda. "
George C. Wolfe
Memories
Down
Us
" The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show. "
George C. Wolfe
Worst
Show
Time
" I could program a 'fabulous, I love it' kind of hit season right now. I'm more interested in breaking boundaries, telling a story, defying a truth that has been accepted. "
George C. Wolfe
Right
Kind
Love
" Generally, the realm in which black playwrights have been allowed to achieve success has been social realism or musicals. "
George C. Wolfe
Social
Black
Achieve
" When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed. "
George C. Wolfe
Said
New York
Rules
" Broadway was very vital back in the '20s. There were probably close to hundreds of productions that opened up through the course of the year and through the course of a Broadway season. "
George C. Wolfe
Through
Year
Season