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" When 'The Normal Heart' first appeared, the sense of urgency was so important. "
George C. Wolfe
Normal
Important
Sense
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" There's no place more theatrical than history. "
George C. Wolfe
Than
Theatrical
History
" To me, 'Show Boat' was the first American musical, the first to have the real texture of this country. "
George C. Wolfe
American
Boat
Country
" The hardest thing about a musical is making sure everybody is working on the same damn show. That is the monster. "
George C. Wolfe
Working
Same
Show
" I'm perpetually interested by living in places as an artist confronting challenges I've never confronted before and approaching them with as much craft and humanity as I can. "
George C. Wolfe
Challenges
Living
Humanity
" I'm interested in exploring how an individual maintains a sense of power in a world that tends to make individuals feel powerless. "
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Sense
Exploring
Feel
" You adjust what you do depending on the actor. You evolve a vocabulary and a way of language and talking with each actor. "
George C. Wolfe
Language
Each
You
" Anytime you create art, you create a mess. I mean, 'Hamlet' is a mess! "
George C. Wolfe
Hamlet
Mess
Create
" It's easier to be cynical and edgy and tough rather than overly emotional. "
George C. Wolfe
Tough
Edgy
Emotional
" I love and I'm intrigued by what history does to people and to subjects that matter. "
George C. Wolfe
Matter
People
Subjects
" When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed. "
George C. Wolfe
Said
New York
Rules
" Confidence comes in going on personal journeys in a public arena and feeling as though you have a right to do that. You have to give yourself permission to discover what you need to discover and not worry about how pretty the journey is. If you're aware of the pretty, you're not going to dig into the mess. "
George C. Wolfe
Yourself
Journey
Confidence
" 1985 - That was my time in New York, and I have such poetic, fond memories. "
George C. Wolfe
Time
Memories
My Time
" When I was little, I remember rehearsing starving so that when I got to New York I would know how to do it. "
George C. Wolfe
Remember
Got
How
" My first play, 'The Colored Museum,' was done in '86 at the Public Theater. "
George C. Wolfe
First
Museum
Play
" I like to knock down walls and allow others to enter. "
George C. Wolfe
Down
Like
Others
" With actors, I have very close, intense working relationships with actors in theater. "
George C. Wolfe
Theater
Working
Intense
" If you have the talent and passion and commitment, you shouldn't be locked out of the room. "
George C. Wolfe
Commitment
Passion
Room
" If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere. "
George C. Wolfe
Theatre
Love
Experience
" Surviving failure is one thing. Surviving success is... is challenging, with the consequences and what you lose along the way. "
George C. Wolfe
You
Way
Success
" In the early '90s or so, I drove my father to Providence, Ky., his hometown, and he was pointing out, 'That's where the doctor's office was,' and 'That's where we bought ice cream.' And he was pointing to empty lots. When you lose communities, what do you have? We often survive by remembering the stories. "
George C. Wolfe
Early
Father
You
" I was raised to believe that other people's suffering was my responsibility. "
George C. Wolfe
Responsibility
Suffering
Other
" I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beautiful. "
George C. Wolfe
More
Than
Am
" Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist. "
George C. Wolfe
Unique
Vision
Artist
" It may take a while, but I think 'On the Town' has the potential for us to break down the boundaries between the traditional theatergoer who may have fond memories of the musical and those with a 'Broadway-is-not-for-me' agenda. "
George C. Wolfe
Memories
Down
Us
" I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me. "
George C. Wolfe
White
Color
I Am
" I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy. "
George C. Wolfe
Community
Feel
Myself
" One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room. "
George C. Wolfe
You
Early
Energy
" Our lives are connected in ways we can't imagine. They're connected even before we know they're connected. "
George C. Wolfe
Before
Connected
Even
" Something that can be so vital at one point can be inconsequential at another. I'm just intrigued by that phenomenon. "
George C. Wolfe
Point
Something
Another
" Generally, the realm in which black playwrights have been allowed to achieve success has been social realism or musicals. "
George C. Wolfe
Social
Black
Achieve