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" Throwing things out is one of the most difficult and important things you ever have to do. "
Thelma Schoonmaker
Difficult
Most
Things
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" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Thelma Schoonmaker
Curve
Big
Learning
" I'm not a big believer in fate, but, boy, I've had a lot of lucky breaks. "
Thelma Schoonmaker
Boy
Lucky
Lot
" When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again. "
Thelma Schoonmaker
Over
Print
Watching
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
Thelma Schoonmaker
Time
Editing
Good
" If I hadn't met Scorsese, I would never have become a filmmaker. He has taught me everything I know about editing and has given me the best job in the world. "
Thelma Schoonmaker
Me
Know
Best
" I have the best job in the world. "
Thelma Schoonmaker
Job
Best
World
" Film, if properly cared for, will last almost 100 years, but digital will not. "
Thelma Schoonmaker
Digital
Almost
Film
" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "
Thelma Schoonmaker
Great
You
Story
" Boxing is insane and, in my opinion, should be banned. "
Thelma Schoonmaker
Should
Opinion
Insane
" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
Thelma Schoonmaker
Heart
Me
Moment
" The studio was very nervous about 'Raging Bull.' "
Thelma Schoonmaker
About
Nervous
Raging
" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "
Thelma Schoonmaker
New York
Way
Family
" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "
Thelma Schoonmaker
See
You
Mystery
" Some young filmmakers, unfortunately, don't have the ability to resist attempts to maybe cut their films down unfairly. "
Thelma Schoonmaker
Ability
Young
Some
" 'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right and incorporate them properly into the story. "
Thelma Schoonmaker
Just
Dream
Story
" We do documentaries on the history of cinema in between our feature films. "
Thelma Schoonmaker
Documentaries
History
Our
" I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece. "
Thelma Schoonmaker
Right
Remember
Everyone
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big
" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "
Thelma Schoonmaker
Trust
Strong
Great
" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "
Thelma Schoonmaker
Myself
Looking
Loved
" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "
Thelma Schoonmaker
Together
Problems
Ideas
" The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.' "
Thelma Schoonmaker
Fight
Think
Know
" I don't think you can be a great director without knowing a lot about editing. "
Thelma Schoonmaker
Great
Knowing
Lot
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" The difference between a film that ends up three hours and a film that is envisioned as three hours is that it's written that way. "
Thelma Schoonmaker
Film
Hours
Three
" It's part of your job always as an editor: you always have to drop stuff. "
Thelma Schoonmaker
Job
You
Your
" With Technicolor restorations, it's about getting the color right. "
Thelma Schoonmaker
About
Getting
Color
" It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage. "
Thelma Schoonmaker
You
Understand
Long
" We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room. "
Thelma Schoonmaker
Laugh
Doing
Better
" An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots. "
Thelma Schoonmaker
Line
You
Two