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" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "

Thelma Schoonmaker

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" When we were cutting 'Raging Bull,' Martin Scorsese was watching 'The Films of Hoffmann' on a 16-mm print over and over and over again. "

Thelma Schoonmaker

" I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it. "

Thelma Schoonmaker

" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "

Thelma Schoonmaker

" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "

Thelma Schoonmaker

" Everybody would like us to make 'Goodfellas' over and over and over again. "

Thelma Schoonmaker

" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "

Thelma Schoonmaker

" I have the best job in the world. "

Thelma Schoonmaker

" Ballet dancers really know how to enter a room. "

Thelma Schoonmaker

" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "

Thelma Schoonmaker

" I never thought I would get married: I'm such a workaholic. "

Thelma Schoonmaker

" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "

Thelma Schoonmaker

" People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that. "

Thelma Schoonmaker

" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "

Thelma Schoonmaker

" To receive footage that has been shot with editing in mind, it is a blessing. "

Thelma Schoonmaker

" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "

Thelma Schoonmaker

" Film, if properly cared for, will last almost 100 years, but digital will not. "

Thelma Schoonmaker

" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "

Thelma Schoonmaker

" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "

Thelma Schoonmaker

" With Technicolor restorations, it's about getting the color right. "

Thelma Schoonmaker

" You have to have a great director to make a great movie. "

Thelma Schoonmaker

" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "

Thelma Schoonmaker

" Scorsese has very defined ideas about how to shoot a scene, and he's an editor himself - we cut together. It means he's constantly thinking about my problems while he's filming. "

Thelma Schoonmaker

" There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film. "

Thelma Schoonmaker

" The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.' "

Thelma Schoonmaker

" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "

Thelma Schoonmaker

" Even in 'The Red Shoes,' a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn't matter. You know why? Because you're being carried along by the power of the film. "

Thelma Schoonmaker

" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "

Thelma Schoonmaker

" I don't think you can be a great director without knowing a lot about editing. "

Thelma Schoonmaker

" I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece. "

Thelma Schoonmaker

" I don't think enough directors know enough about editing. "

Thelma Schoonmaker