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" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "
Thelma Schoonmaker
Head
Bull
Example
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" Ballet dancers really know how to enter a room. "
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" My job is so wonderful. "
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" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
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" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
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" We do documentaries on the history of cinema in between our feature films. "
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" I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun. "
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" I love being around great artists, and I've been around a few of them. "
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" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "
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" I do think there's not enough film history being taught and appreciated. Maybe it's being taught, but I've heard from professors that young kids don't want to look at black-and-white movies. And that's 85 years of film history, with masterpiece after masterpiece. "
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" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
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" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "
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" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
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Future
" The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.' "
Thelma Schoonmaker
Fight
Think
Know
" Boxing is insane and, in my opinion, should be banned. "
Thelma Schoonmaker
Should
Opinion
Insane
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" When you're a film-maker, sometimes you have to be a slave to continuity. "
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Continuity
You
Sometimes
" I'm not a big believer in fate, but, boy, I've had a lot of lucky breaks. "
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Boy
Lucky
Lot
" I have the best job in the world. "
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Job
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World
" Whenever I can, I like to go to Cotswolds, in England, where my husband had a cottage. I spend my time reading his diaries, which I would like to publish. "
Thelma Schoonmaker
Reading
Go
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" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "
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Trust
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" We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room. "
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Laugh
Doing
Better
" I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece. "
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" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
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" People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that. "
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Learn
See
People
" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "
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New York
Weird
Reason
" I'm very lucky. Most of my friends wait long times for jobs and also don't get the chance to work on 20 films, like I have, with someone like Scorsese. I love working for him. I just would never - I can't imagine working for anybody else. "
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" I never thought I would get married: I'm such a workaholic. "
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" The studio was very nervous about 'Raging Bull.' "
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About
Nervous
Raging