Get QuoteDark Inspirational Quotes App

" Even though my parents are American, I spent my whole childhood and adolescence abroad. "

Thelma Schoonmaker

Related Quotes:

" Cutting improvisation is really hard, because things don't match, and you end up with some bad cuts sometimes. But we'd rather have the bad cuts and the great improv. "

Thelma Schoonmaker

" When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye. "

Thelma Schoonmaker

" I don't think enough directors know enough about editing. "

Thelma Schoonmaker

" It's part of your job always as an editor: you always have to drop stuff. "

Thelma Schoonmaker

" That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. "

Thelma Schoonmaker

" I don't think you can be a great director without knowing a lot about editing. "

Thelma Schoonmaker

" With digital editing, I now can make many, many versions of a scene. "

Thelma Schoonmaker

" When you're a film-maker, sometimes you have to be a slave to continuity. "

Thelma Schoonmaker

" I never thought I would get married: I'm such a workaholic. "

Thelma Schoonmaker

" In certain fight scenes in 'Raging Bull' - for example, the shorter ones - I literally just took the head and tail of the shot and put it together, and it all worked beautifully. "

Thelma Schoonmaker

" My job is so wonderful. "

Thelma Schoonmaker

" All great directors or anyone who has a strong vision like Scorsese needs to have a lot of support around them. I think from the very beginning - when we met each other - he realised he could trust me to do what was right for his movies. "

Thelma Schoonmaker

" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "

Thelma Schoonmaker

" I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun. "

Thelma Schoonmaker

" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "

Thelma Schoonmaker

" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "

Thelma Schoonmaker

" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "

Thelma Schoonmaker

" Ballet dancers really know how to enter a room. "

Thelma Schoonmaker

" People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that. "

Thelma Schoonmaker

" It's hard for people to understand editing, I think. It's absolutely like sculpture. You get a big lump of clay, and you have to form it - this raw, unedited, very long footage. "

Thelma Schoonmaker

" The studio was very nervous about 'Raging Bull.' "

Thelma Schoonmaker

" I can access footage much quicker, yes. But in terms of living with a film and knowing what's right, digital doesn't do that for you. "

Thelma Schoonmaker

" I always thought that's the wonderful thing about filmmaking: people see things differently. "

Thelma Schoonmaker

" Film, if properly cared for, will last almost 100 years, but digital will not. "

Thelma Schoonmaker

" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "

Thelma Schoonmaker

" An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots. "

Thelma Schoonmaker

" I have the best job in the world. "

Thelma Schoonmaker

" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "

Thelma Schoonmaker

" I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker. "

Thelma Schoonmaker

" I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it. "

Thelma Schoonmaker