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" With digital editing, I now can make many, many versions of a scene. "
Thelma Schoonmaker
Make
Scene
Now
Related Quotes:
" In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when people like D. W. Griffith began editing, they needed the women from the lab to come and splice the film together. Cecil B. DeMille's editor was a woman. Then, when it became a more lucrative job, men moved into it. "
Thelma Schoonmaker
Woman
Job
Men
" I always thought that's the wonderful thing about filmmaking: people see things differently. "
Thelma Schoonmaker
Thought
Always
Filmmaking
" Even though my parents are American, I spent my whole childhood and adolescence abroad. "
Thelma Schoonmaker
American
Abroad
Parents
" I have a great relationship and the highest respect for Daniel Day-Lewis and Leonardo DiCaprio. But working with De Niro has been simply incredible. While I was editing 'Raging Bull,' I was literally unable to take my eyes off him. "
Thelma Schoonmaker
Relationship
Great
Eyes
" I think everyone loves 'The Departed.' That was a movie that had a lot of problems structurally. And we had to battle with it. Fight. Experiment. Try different things. And I think finally we hit it. "
Thelma Schoonmaker
Battle
Think
Fight
" My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. "
Thelma Schoonmaker
New York
Way
Family
" One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films. "
Thelma Schoonmaker
Myself
Looking
Loved
" There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished. "
Thelma Schoonmaker
See
You
Mystery
" From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films. "
Thelma Schoonmaker
Heart
Me
Moment
" Ballet dancers really know how to enter a room. "
Thelma Schoonmaker
How
Room
Know
" I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring. "
Thelma Schoonmaker
Good
Way
You
" I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing. "
Thelma Schoonmaker
Great
You
Story
" I just happened to see an ad saying 'Willing to train an assistant editor,' and I learned enough from that to go to NYU for just one summer course. That's all that I could afford. "
Thelma Schoonmaker
Summer
Enough
Go
" It's wonderful to work on footage by someone who understands how to get it to cut right, which a lot of directors don't. "
Thelma Schoonmaker
Someone
Who
Right
" I love improvisation. I mean, it's hard to edit, because things don't necessarily fall together - you have to find ways to give it a dramatic scope, shape. But it's so much fun. "
Thelma Schoonmaker
Fall
Fun
Love
" 'Silence,' I think, was the hardest, because it's so different from everything we've done before and required very delicate handling and trying to find the right meditative pace. "
Thelma Schoonmaker
Find
Trying
Done
" I never thought I would get married: I'm such a workaholic. "
Thelma Schoonmaker
Married
Never
Thought
" Throwing things out is one of the most difficult and important things you ever have to do. "
Thelma Schoonmaker
Difficult
Most
Things
" The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.' "
Thelma Schoonmaker
Fight
Think
Know
" When you're a film-maker, sometimes you have to be a slave to continuity. "
Thelma Schoonmaker
Continuity
You
Sometimes
" I love being around great artists, and I've been around a few of them. "
Thelma Schoonmaker
Love
Great
Few
" I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that. "
Thelma Schoonmaker
Patience
Work
Women
" Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it. "
Thelma Schoonmaker
Time
Editing
Good
" Doing 3D on 'Hugo' was a big learning curve for me, but fun! "
Thelma Schoonmaker
Curve
Big
Learning
" If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power. "
Thelma Schoonmaker
Death
Husband
Power
" I know a lot of editors who are very bitter about the directors they work with. They feel they could have done a better job, and I say to them, 'Oh really? Why don't you go try - it's not easy.' "
Thelma Schoonmaker
Know
You
Better
" My job is so wonderful. "
Thelma Schoonmaker
Job
Wonderful
" Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again. "
Thelma Schoonmaker
Home
Discipline
You
" I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing. "
Thelma Schoonmaker
Possible
Will
Future
" One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie. "
Thelma Schoonmaker
Tools
Audience
Big