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" I don't wake up in the morning and think about Franz Kline. "

Hans-Ulrich Obrist

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" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "

Hans-Ulrich Obrist

" I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas. "

Hans-Ulrich Obrist

" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "

Hans-Ulrich Obrist

" I really do think artists are the most important people on the planet, and if what I do is a utility and helps them, then that makes me happy. I want to be helpful. "

Hans-Ulrich Obrist

" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "

Hans-Ulrich Obrist

" Exhibitions usually are not collected; they disperse after they take place. "

Hans-Ulrich Obrist

" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "

Hans-Ulrich Obrist

" I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public. "

Hans-Ulrich Obrist

" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "

Hans-Ulrich Obrist

" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "

Hans-Ulrich Obrist

" My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it. "

Hans-Ulrich Obrist

" I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing. "

Hans-Ulrich Obrist

" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "

Hans-Ulrich Obrist

" Everything I do is somehow connected to velocity. "

Hans-Ulrich Obrist

" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "

Hans-Ulrich Obrist

" At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival. "

Hans-Ulrich Obrist

" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "

Hans-Ulrich Obrist

" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "

Hans-Ulrich Obrist

" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "

Hans-Ulrich Obrist

" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "

Hans-Ulrich Obrist

" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "

Hans-Ulrich Obrist

" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "

Hans-Ulrich Obrist

" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "

Hans-Ulrich Obrist

" I'm trying to expand the notion of curating. Exhibitions need not only take place in galleries, need not only involve displaying objects. Art can appear where we expect it least. "

Hans-Ulrich Obrist

" Switzerland felt incredibly narrow, growing up. It was good, in a way. There were so many museums. But it was always a no-brainer that I would have to leave, and I'm grateful for that. "

Hans-Ulrich Obrist

" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "

Hans-Ulrich Obrist

" Making art is not the matter of a moment, and nor is making an exhibition; curating follows art. "

Hans-Ulrich Obrist

" I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature. "

Hans-Ulrich Obrist

" For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game. "

Hans-Ulrich Obrist

" There is nothing deeper than to work for a year with the same artist. "

Hans-Ulrich Obrist