Home
Authors
Tags
App
Get QuoteDark Inspirational Quotes App
" It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this. "
Hans-Ulrich Obrist
Want
Then
Even
Related Quotes:
" To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts. "
Hans-Ulrich Obrist
Open
New
Important
" During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around Europe looking at art, visiting artists, studios, galleries and museums. "
Hans-Ulrich Obrist
School
Looking
Time
" When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarity Warhol/Beuys, Beuys/Warhol. Both expended the notion of art extremely, but in very different ways. "
Hans-Ulrich Obrist
Art
World
Started
" One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. "
Hans-Ulrich Obrist
Artists
Christian
Favourite
" For me, it's always been very essential to work on projects that one can work on almost for their entire life. "
Hans-Ulrich Obrist
Almost
Always
Been
" Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis. "
Hans-Ulrich Obrist
Most
Model
London
" Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity. "
Hans-Ulrich Obrist
Us
Economy
Growth
" My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work. "
Hans-Ulrich Obrist
Great
Work
Musicians
" I remember going to a monastery library when I was very young and being surrounded by ancient books. I fell in love. "
Hans-Ulrich Obrist
Love
Young
Library
" To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists. "
Hans-Ulrich Obrist
Doing
Always
Day
" The 21st-century curator works in a supremely globalised reality. "
Hans-Ulrich Obrist
21st-Century
Reality
Works
" The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally. "
Hans-Ulrich Obrist
Transformed
Life
Kitchen
" To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art. "
Hans-Ulrich Obrist
Me
Power
Think
" I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti. "
Hans-Ulrich Obrist
Go
Started
Switzerland
" I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years. "
Hans-Ulrich Obrist
Intense
Last
Many
" When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew. "
Hans-Ulrich Obrist
Conversation
Started
Out
" For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas. "
Hans-Ulrich Obrist
Science
Music
Performance
" Alex Poots has always made a bridge between highly experimental and the mainstream. "
Hans-Ulrich Obrist
Made
Always
Alex
" My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated. "
Hans-Ulrich Obrist
Show
Any
Museum
" I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time. "
Hans-Ulrich Obrist
Remembered
Listen
Voice
" From 1991 to 2000, I was totally nomadic. I was travelling 300 days a year and building out my research. These were a bit like my learning and migrating years, so to say. "
Hans-Ulrich Obrist
Building
Learning
Research
" Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. "
Hans-Ulrich Obrist
Situation
Up
Landscape
" In this new age of GPS, Google Earth and multidimensional digital maps, mapping is suddenly hugely relevant again. "
Hans-Ulrich Obrist
Digital
Earth
Google
" I don't wake up in the morning and think about Franz Kline. "
Hans-Ulrich Obrist
Think
Wake Up
About
" I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted. "
Hans-Ulrich Obrist
Thought
Want
Life
" I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums. "
Hans-Ulrich Obrist
Unusual
Like
House
" At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. "
Hans-Ulrich Obrist
Moment
Book
History
" I would go from one city to the next, inspired by the monks in the Middle Ages, who would carry knowledge from one monastery to the next monastery. "
Hans-Ulrich Obrist
City
Carry
Knowledge
" At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue. "
Hans-Ulrich Obrist
Artist
Time
Story
" Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone. "
Hans-Ulrich Obrist
Sometimes
Gone
Kind